The early scenes are electric with sexual tension, smart dialogue, and terrific performances - especially Ambrose's.
Starting Out in the Evening (2007)
Tomatometer
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Reviews Counted:96
Fresh:83
Rotten:13
Average Rating:7.3/10
Consensus: Starting Out in the Evening features sharp dialogue and moving performances from the talented Frank Langella and Lili Taylor.
Rated: PG-13 [See Full Rating] for sexual content, language and brief nudity.
Runtime: 1 hr 51 mins
Genre: Dramas
Theatrical Release:Nov 23, 2007 Limited
Box Office: $568,917
Synopsis: Though he's spent most of his career as a character actor in supporting roles, Frank Langella gives the lead performance of a lifetime in STARTING OUT IN THE EVENING, based on the novel by Brian... Though he's spent most of his career as a character actor in supporting roles, Frank Langella gives the lead performance of a lifetime in STARTING OUT IN THE EVENING, based on the novel by Brian Morton. Flanked by Lili Taylor and Lauren Ambrose, Langella is the central piece in a film that focuses on its characters. The film begins with aging writer Leonard Schiller (Langella, SUPERMAN RETURNS), a man who feels as obsolete as the typewriter he is pounding away at. Though he has four novels to his credit, he has been working on his fifth for a decade. Enter Heather Wolfe (Ambrose, SIX FEET UNDER), a grad student who plans to write her thesis on Schiller's work. She cajoles the reluctant man into helping her, and they begin a curious friendship. Meanwhile, Schiller's daughter Ariel (Taylor, SIX FEET UNDER) struggles not only with her elderly father, but also with her own desire to have children as she approaches 40. She also grapples with the decision of reconnecting with an ex-boyfriend (Adrian Lester, HUSTLE). As the fading writer Schiller, Langella doesn't give a bold performance that screams for Oscar's attention. Instead, the actor commands the screen with a quiet presence. Heather's attempts at friendship with Schiller--and eventual seduction--may feel awkward at times within the film, but Ambrose's performance is quite genuine. As always, Taylor is impressive, and it's good to see her get a heftier role. The film's other central character is New York's Upper West Side, a player that should receive top billing. Director Andrew Wagner (THE TALENT GIVEN US) allows the neighborhood to play a central role within his engaging film. [More]
Starring: Frank Langella, Lili Taylor, Lauren Ambrose, Adrian Lester
Starring: Frank Langella, Lili Taylor, Lauren Ambrose, Adrian Lester, Jessica Hecht
Director: Andrew Wagner
Director: Andrew Wagner
Screenwriter: Andrew Wagner, Fred Parnes
Producer: Gary Winick, Jake Abraham, Fred Parnes, Andrew Wagner
Composer: Adam Gorgoni
Producer: Nancy Israel
Studio: Roadside Attractions
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Reviews for Starting Out in the Evening
Wagner has turned the page on a promising career, and it will be exciting to see what the next chapter brings.
Wagner's film is an elegy of sorts for that once-mighty beast known as the New York Writer, a creature that now finds itself increasingly marginalized in a world in which readers are getting scarcer and shelf space for serious fiction is dwindling daily.
Starting Out In The Evening is like the opposite of 'mumblecore'. It's 'loquacitycore'.
It's a rare kind of American movie. It gets us arguing about all the characters -- and enjoying the debates every step of the way, because we're so intimately involved with their dreams and passions.
Frank Langella is superb in this modest, awkwardly-titled indie about an aging writer and the grad student researching him.
Starting Out in the Evening is a gentle collection of scenes that work and scenes that don't.
In the end, Langella lays his character bare before us but leaves his dignity intact.
[Frank Langella] is a god of sorts to those who've followed his career for 30 years with an appreciation for subtle, forceful acting, and he's at the top of his game in Starting Out in the Evening.
Much of the film’s novelty derives from its characters, the sort one almost never finds in 'commercial' films -- both flawed and sympathetic -- and it keeps them vivid, ambiguous, and three-dimensional throughout.
It honors values that seem obsolete in our trashy popular culture, obsessed with the sex lives of vacuumheads.
While the film shares the novel's stealth appeal ... on the whole it's better: sharper, leaner and less sentimental.
Director Andrew Wagner, adapting a novel by Brian Morton, is sometimes understated to a fault, but his work with the actors, who also include Lili Taylor, is impeccable.
Frank Langella's performance is a compliment to an already brilliant film...
Langella's "aging" as a result of a stroke is even more impressive than his artful revelations of the authorial process.
one of the year's most pleasing films, intelligently written and directed, and featuring a veteran actor giving the performance of his career
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