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State Property

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State Property (2002)

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Reviews Counted:12

Fresh:0

Rotten:12

Average Rating:2/10

Rated: R [See Full Rating] for strong violence and sexuality, nonstop language, and drug content

Runtime: 1 hr 35 mins

Genre: Dramas

Theatrical Release:Jan 18, 2002 Limited

Box Office: $2,070,892

Synopsis: Rapper Memphis Bleek and his Roc-A-Fella crew star in this gritty urban crime drama based on actual events. Determined to make big cash, local Philly thug Beans (Beanie Siegel) forms a gang he dubs... Rapper Memphis Bleek and his Roc-A-Fella crew star in this gritty urban crime drama based on actual events. Determined to make big cash, local Philly thug Beans (Beanie Siegel) forms a gang he dubs the A.B.M. (All 'Bout Money) and declares that all his rivals better "get down or lay down." Bleek, Jay-Z, Omillio Sparks, Freeway, and Damon Dash are some of his friends and enemies along the way. Beans earns plenty of cash, and a nice home in the suburbs for his family, but like all movie gangsters he doesn't know when to quit. The body count rises, his old lady (Sundy Carter) gets kidnapped, and incarceration threatens when a surviving victim decides to rat Beans out to the cops. First-time director Abdul Malik Abbot smartly eschews any morality, romance or phony glamour in favor of a practical, no-nonsense, sex-and-violence approach. The film's real strength, however, is the naturalistic performances of the actors and their ease with the quotable, expletive-rich dialogue. STATE PROPERTY should delight viewers schooled in rap music and gangster films, but others may find themselves needing subtitles to decipher the thick slang. It's filmed on digital video, blown up to 35mm for theatrical release. [More]

Starring: Beanie Sigel, Memphis Bleek, Damon Dash, Sundy Carter

Starring: Beanie Sigel, Memphis Bleek, Damon Dash, Sundy Carter, Jay-Z, Dee Lee, Chris Eric Williams, Omillio Sparks, Freeway

Director: Abdul Malik Abbott

Director: Abdul Malik Abbott
Screenwriter: Ernest Anderson
Producer: Ron Rotholz
Composer: Jay-Z, Memphis Bleek
Studio: Lions Gate Films

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Release:

May 28, 2002

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Reviews for State Property

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1 - 15 (sorted by rotten rating)
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N/R

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Full Review Source: AV Club | comment Comment
04/08/02
AV Club
N/R

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
08/09/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Variety | comment Comment
10/07/08
Ronnie Scheib
Ronnie Scheib
Variety

Click to read the article

Full Review Source: TV Guide's Movie Guide | comment Comment
08/20/02
TV Guide's Movie Guide

Lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago.

Full Review Source: New York Times | comment Comment
01/19/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

A shoddy male hip hop fantasy filled with guns, expensive cars, lots of naked women and Rocawear clothing.

Full Review Source: Citysearch | comment Comment
01/22/02
Bill Pearis
Bill Pearis
Citysearch

A film of empty, fetishistic violence in which murder is casual and fun.

Full Review Source: Dallas Morning News | comment Comment
02/28/02
Chris Vognar
Chris Vognar
Dallas Morning News
Top Critic Icon Top Critic

... for all its social and political potential, State Property doesn't end up being very inspiring or insightful.

Full Review Source: Nitrate Online | comment Comment
01/25/02
Cynthia Fuchs
Cynthia Fuchs
Nitrate Online

No review available.

comment Comment
08/16/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The acting is amateurish, the cinematography is atrocious, the direction is clumsy, the writing is insipid and the violence is at once luridly graphic and laughably unconvincing.

Full Review Source: San Francisco Examiner | comment Comment
03/19/02
Joe Leydon
Joe Leydon
San Francisco Examiner

Basically a static series of semi-improvised (and semi-coherent) raps between the stars.

Full Review Source: New York Post | comment Comment
01/21/02
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

No one involved, save Dash, shows the slightest aptitude for acting, and the script, credited to director Abdul Malik Abbott and Ernest 'Tron' Anderson, seems entirely improvised.

comment Comment
03/07/02
Luke Y. Thompson
Luke Y. Thompson
New Times

Click to read the article

Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Mark Halverson
Mark Halverson
Sacramento News & Review

No review available.

comment Comment
01/01/07
Michael Dequina
Michael Dequina
TheMovieReport.com

A dull, simple-minded and stereotypical tale of drugs, death and mind-numbing indifference on the inner-city streets.

Full Review Source: Boxoffice Magazine | comment Comment
03/19/02
Rachel Deahl
Rachel Deahl
Boxoffice Magazine
 
 
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