There's no denying the film's visual beauty. And if you are willing and able to allow yourself the patience to enter into the rhythm of the story, and slow your pulse to its pace, you will find it a powerful, even a stunning experience.
Silent Light (2008)
Tomatometer
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Reviews Counted: 42
Fresh: 34
Rotten:8
Average Rating: 7.4/10
Consensus: Though heavy with symbolism and glacially paced, Silent Light rewards the audience with its visual beauty and haunting narrative.
Theatrical Release:Jan 7, 2009 Limited
Synopsis:
With Silent Light, Mexican auteur Carlos Reygadas (Japon, Battle In Heaven) delivers an extraordinary, transcendent meditation on love and religion. To capture the innocence necessary to tell his...
With Silent Light, Mexican auteur Carlos Reygadas (Japon, Battle In Heaven) delivers an extraordinary, transcendent meditation on love and religion. To capture the innocence necessary to tell his tale, Reygadas ventured to a Mennonite community in northern Mexico, where the inhabitants live like relics from another era. Rather than falsifying his world, Reygadas cast the film with actual Mennonites who speak the German dialect Plattdeutsch, which gives the film an even greater authority--and further establishes a truly original tone. The story concerns Johan (Cornelio Wall Fehr), who is in the midst of a major spiritual crisis. A devoted father, and a husband to Esther (Miriam Toews), Johan has found himself caught up in an affair with a waitress named Marianne (Maria Pankratz). But his connection with Marianne isn't just a physical one; he fears that he's fallen in love with her. The honest and tortured Johan confesses to Esther, spurring a series of cataclysmic events that will test his faith once and for all.
From the luminous opening shot--which is without question one of the most stunning opening shots ever committed to celluloid--it becomes clear that this is a much different film than Reygadas's last, the graphic and blunt Battle In Heaven. While it appears that Reygadas was deeply influenced by Carl Theodor Dreyer's Ordet, as well as the works of Terrence Malick, Silent Light is not merely a carbon copy of those films. It is the work of a visionary filmmaker who is challenging himself and trying to address genuinely deep human issues. Beautiful and profound, Silent Light is cinema at its most breathtaking.
Starring: Cornelio Wall, Miriam Toews, Maria Pankratz, Peter Wall
Starring: Cornelio Wall, Miriam Toews, Maria Pankratz, Peter Wall, Elizabeth Fehr, Jacobo Klassen
Director: Carlos Reygadas
Director: Carlos Reygadas
Screenwriter: Carlos Reygadas
Producer: Jaime Romandia, Carlos Reygadas
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Reviews for Silent Light
If you're game for his rigorous approach, Silent Light may inspire devotion.
[Carlos] Reygadas' measured pace and the reflective observation of his patient camera is in tune with the movement of seasons and the cycle of crops...
Working with carefully cast nonactors, the filmmakers stop and listen, almost literally smelling the roses as they discover the miraculous in the seemingly mundane.
Silent Light is a solemn and profound film about a man transfixed by love, which causes him to betray his good and faithful wife.
A film filled with beauty and pain that moves at the pace of molasses and snails.
Occasionally drags, but ultimately manages to be a challenging, intelligent, moving and hauntingly poetic film.
The film quickly becomes banal and uninteresting, with none of the spice and life of Bergman's similar spiritual quests of self-discovery
A messy, Mennonite love triangle featuring a visually-enchanting, Koyaanisqatsi-like time-lapse cinematography.
A glacial tale of adultery, features a 'miraculous' climax -- it mingles the living and the dead -- ripped off from Carl Dreyer's Ordet (1955), one of the great religious films.
Even with such alien characters, Carlos Reygadas' assured filmmaking makes it impossible not to feel for the people, almost despite themselves.
Silent Light is less about faith than matters of the heart, and in Reygadas' hands, the ache is bone-deep.
Silent Light brings us intimately into the private world of this esoteric society without ever feeling like ethnography or gawkery; at the risk of cliché, this prodigiously atmospheric fable of love and faith feels both timeless and modern.
Stellet Licht doesnt achieve ecstasy or express belief in it. Reygadas is a poseur for poseurs.
With Silent Light, Reygadas takes his place among the leading directors working today.
Have we completely grasped the director's intentions? Days later, you may still be wondering. You won't have forgotten the movie, though.
an object so elementally based in pure cinema that one might call it, well, miraculous.
Mexican bad boy Carlos Reygadas' latest film, a languorous drama about Mennonites in northern Mexico, is alternately spellbinding and stiflingly self-conscious.
There's something about this movie that lingers with you for a long time.
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