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The Stepford Wives (2004)
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Reviews Counted:160
Fresh:42
Rotten:118
Average Rating:4.6/10
Consensus: In exchanging the chilling satire of the original into mindless camp, this remake has itself become Stepford-ized.
Rated: PG-13 [See Full Rating] for sexual content, thematic material and language
Runtime: 1 hr 33 mins
Genre: Comedies
Theatrical Release:Jun 11, 2004 Wide
Box Office: $59,341,993
Synopsis: Based on a book by Ira Levin which satirizes the roles of 1950s housewives, this is a remake of the 1975 film adaptation. Director Frank Oz presents a dramatic reworking of the horror classic,... Based on a book by Ira Levin which satirizes the roles of 1950s housewives, this is a remake of the 1975 film adaptation. Director Frank Oz presents a dramatic reworking of the horror classic, putting a totally over-the-top slant on the story that gives it true comedic value. In the early 21st century, a fast-paced Manhattan couple, Joanna (Nicole Kidman) and Walter (Matthew Broderick), both work for a major television network. While she is a leader and breadwinner in producing reality shows, he is a mere middle-management type. So when Joanna has a nervous breakdown, and Walter takes command, he's happy to find that for once in his life she's not stealing his fire. This sentiment is only asserted by the boys club that welcomes him when they move to the "perfect" town of Stepford, Connecticut. There, the women have been transformed by their husbands into a totally submissive, near-robotic state in which they are blissfully happy doing housework and looking pretty, and are totally compliant to their men. With Claire (Glenn Close) and Mike (Christopher Walken) leading this web of weirdness, Joanna and her only normal friend, Bobbie (Bette Midler), race to solve the mystery before they too become Stepford Wives. [More]
Starring: Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close
Starring: Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, Jon Lovitz, Faith Hill, Roger Bart, David Marshall Grant, Lorri Bagley
Director: Frank Oz
Director: Frank Oz
Screenwriter: Paul Rudnick
Producer: Scott Rudin, Donald De Line, Edgar J. Scherick, Gabriel Grunfeld
Composer: David Arnold
Studio: Paramount Pictures
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Release:
Jun 30, 2009
DVD Features:
- Region 1
- NTSC
- Keep Case
- Widescreen - 1.78
Audio:
- Dolby Digital 5.1 Surround - English
- Dolby Digital 5.1 Surround - French
- Dolby Digital Surround - English
Additional Release Material:
- Deleted/Extended Scenes
- Audio Commentary: Frank Oz - Director
- Bloopers: Gag Reel
Featurette:
- 1. A PERFECT WORLD: THE MAKING OF THE STEPFORD WIVES
- 2. STEPFORD: A DEFINITION
- 3. STEPFORD: THE ARCHITECTS
- 4. THE STEPFORD WIVES
- 5. THE STEPFORD HUSBANDS
Trailers:
- 1. Original Theatrical Trailer
- 2. Bonus Trailer
Interactive Features:
- Scene Access
- Interactive Menus
Text/Photo Galleries:
Reviews for The Stepford Wives
Ao que parece, os realizadores de Mulheres Perfeitas acreditaram que o público seria tão dócil e manipulável quanto as esposas retratadas em sua trama.
There just aren't enough laughs to distract from the vast fault-lines in the story
For better or worse, Stepford Wives is classic Frank Oz. At times ludicrous and stereotypical, but always funny.
With its smart script and dead-on comic performances, it actually works.
Frank Oz has made a career of making comedy out of on-set tensions and his actors' personal anxieties.
As written by Paul Rudnick, who wields one of the cattiest pens in Hollywood, this new version of "The Stepford Wives" suggests he might want to try a fresh pot of ink.
This version quickly falls in and out of form, deviating from comedy to thriller...losing the social significance of the original.
A confused production, replete with weak jokes and embarrassing stereotypes, earn the film one star, but I'll throw in an extra half star for Kidman's engaging performance.
Oz’s toothless vehicle is never able to capture the dark humor of its calculated convictions...has no apparent rhyme or reason to its meandering madness
The Stepford Wives willingly dispenses with a strong conceit in its unbridled urge to be ridiculous, taken here as a synonym of "entertaining."
To paraphrase Paul Rudnick's Premiere magazine movie-critic alter ego, Libby Gelman-Waxner: It's flat, cold, fork-resistant and tasteless, if you ask me.
There's little here that isn't hedged... [Oz and Rudnick] shoot wide; by wishing not to offend, they actually manage the job.
The cast is mostly strong and its clumsy charms substantial -- enough to make this flawed cautionary tale worth watching, as long as your expectations aren't too high.
It may be about artificiality but that hardly excuses that quality in the storytelling.
Fitting that a horror film from the 70's is now remade as a slightly less scary satire for the new century.
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