...the satire is weak, and the execution is inept...
The Stepford Wives (2004)
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Reviews Counted:160
Fresh:42
Rotten:118
Average Rating:4.6/10
Consensus: In exchanging the chilling satire of the original into mindless camp, this remake has itself become Stepford-ized.
Rated: PG-13 [See Full Rating] for sexual content, thematic material and language
Runtime: 1 hr 33 mins
Genre: Dramas
Theatrical Release:Jun 11, 2004 Wide
Box Office: $59,341,993
Synopsis: Based on a book by Ira Levin which satirizes the roles of 1950s housewives, this is a remake of the 1975 film adaptation. Director Frank Oz presents a dramatic reworking of the horror classic,... Based on a book by Ira Levin which satirizes the roles of 1950s housewives, this is a remake of the 1975 film adaptation. Director Frank Oz presents a dramatic reworking of the horror classic, putting a totally over-the-top slant on the story that gives it true comedic value. In the early 21st century, a fast-paced Manhattan couple, Joanna (Nicole Kidman) and Walter (Matthew Broderick), both work for a major television network. While she is a leader and breadwinner in producing reality shows, he is a mere middle-management type. So when Joanna has a nervous breakdown, and Walter takes command, he's happy to find that for once in his life she's not stealing his fire. This sentiment is only asserted by the boys club that welcomes him when they move to the "perfect" town of Stepford, Connecticut. There, the women have been transformed by their husbands into a totally submissive, near-robotic state in which they are blissfully happy doing housework and looking pretty, and are totally compliant to their men. With Claire (Glenn Close) and Mike (Christopher Walken) leading this web of weirdness, Joanna and her only normal friend, Bobbie (Bette Midler), race to solve the mystery before they too become Stepford Wives. [More]
Starring: Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close
Starring: Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, Jon Lovitz, Faith Hill, Roger Bart, David Marshall Grant, Lorri Bagley
Director: Frank Oz
Director: Frank Oz
Screenwriter: Paul Rudnick
Producer: Scott Rudin, Donald De Line, Edgar J. Scherick, Gabriel Grunfeld
Composer: David Arnold
Studio: Paramount Pictures
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Release:
Jun 30, 2009
DVD Features:
- Region 1
- NTSC
- Keep Case
- Widescreen - 1.78
Audio:
- Dolby Digital 5.1 Surround - English
- Dolby Digital 5.1 Surround - French
- Dolby Digital Surround - English
Additional Release Material:
- Deleted/Extended Scenes
- Audio Commentary: Frank Oz - Director
- Bloopers: Gag Reel
Featurette:
- 1. A PERFECT WORLD: THE MAKING OF THE STEPFORD WIVES
- 2. STEPFORD: A DEFINITION
- 3. STEPFORD: THE ARCHITECTS
- 4. THE STEPFORD WIVES
- 5. THE STEPFORD HUSBANDS
Trailers:
- 1. Original Theatrical Trailer
- 2. Bonus Trailer
Interactive Features:
- Scene Access
- Interactive Menus
Text/Photo Galleries:
Reviews for The Stepford Wives
Slice the last 10 minutes of "The Stepford Wives," and I think you'd have a decent movie.
The ending of the new Stepford Wives is completely ineffective. It doesn’t clearly define what these women are and goes for a lazy screenwriter’s cure all.
A computer-generated ending might have been an improvement on screenwriter Paul Rudnick's, which goes so haywire you can almost see the smoke.
Leave the comedy to the Witherspoons, Nicole. When we want a good dose of self-loathing depression, we’ll give you a call.
Though an overtly gay Stepford Wives is certainly conceivable, Frank Oz's evidently rewritten and recut incarnation doesn't have the necessary teeth.
It has a wonderfully wounding malice directed at both the Stepford, Conn., contingent of Energizer Bunny wives and the New Yorkers who have just moved in.
A bland, empty-headed farce that values narrative complacency over invention. No sharp edges here. Only blunt, plastic frosting-spreaders.
This could have been a nearly great film, but instead it's an enjoyable mess that sometimes stretches itself to boast a degree of social relevance and truly-biting satire.
The Internet Movie Database classifies The Stepford Wives as 'comedy/drama/thriller,' and I suppose that's part of the film's problem: It doesn't know what it is.
A ham-fisted attempt at social commentary that's further undone by last-minute tinkering on the part of its creators.
The original thriller was accidentally campy, while Oz's film is very much in on the joke.
Director Frank Oz’s starstudded quirk-machine is a distastefully simpleminded view of gender relations.
An erratically paced, spectacularly misguided picture that can’t decide whether it’s a comedy, a sci-fi thriller or a relationship drama.
A baffling, incoherent debacle so openly contemptuous of the audience that it doesn't even bother pretending to make any sense.
Don't try to figure the logic of the ending. Just sit back and enjoy a funny movie.
Whatever behind-the-scenes problems there were are not apparent on the screen, and enough things work to make the film worthwhile.
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