Powerfully acted, intimate drama.
Stephanie Daley (2007)
Tomatometer
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Reviews Counted:48
Fresh:43
Rotten:5
Average Rating:7.3/10
Consensus: The premise has all the trappings of melodrama, but the excellent performances give the characters complexity and empathy.
Rated: R [See Full Rating] for disturbing material involving teen pregnancy, sexual content and language
Runtime: 1 hr 32 mins
Genre: Dramas
Theatrical Release:Apr 20, 2007 Limited
Synopsis: In STEPHANIE DALEY, Amber Tamblyn and Tilda Swinton turn in remarkable performances as a young girl accused of murdering her infant and the pregnant forensic psychologist assigned to her case. When... In STEPHANIE DALEY, Amber Tamblyn and Tilda Swinton turn in remarkable performances as a young girl accused of murdering her infant and the pregnant forensic psychologist assigned to her case. When Stephanie is found trailing blood in the snow on a high school ski trip, the media quickly latches onto the story, labeling her the "Ski Mom." While evaluating 16-year-old Stephanie before the criminal trial, 40-year-old Lydie (Swinton) is also grappling with worries over her own troubled pregnancy. Having given birth to a stillborn years before, Lydie is still coming to terms with what that loss meant for her and her marriage to an increasingly distant husband (Timothy Hutton). The film unfolds in a nonlinear way, with scenes of the two women's discussions opening up to flashbacks of the months preceding the baby's supposedly unexpected birth (and death), and to scenes from each woman's current situation. What makes STEPHANIE DALEY so moving is how ordinary the title character is. Like so many adolescent girls, Stephanie is smart, shy, and when it comes to the adult world of sex, dangerously naive. Stephanie adamantly denies that she killed her baby, and explains the events of the previous year with a sadness and resignation that speak of so many female adolescent experiences. In a scene that depicts Stephanie's first sexual encounter, director Hilary Brougher perfectly captures that moment when good reason gives way to peer pressure, youthful curiosity, and a lack of confidence. Where such an experience would leave any girl feeling used and disappointed, it leaves Stephanie with a problem so great she can't even admit it until it's too late. The film uses graphic scenes powerfully, and while never passing judgment on its characters, raises important issues about a woman's right to choose and about womanhood itself. [More]
Starring: Tilda Swinton, Amber Tamblyn, Timothy Hutton, Melissa Chessington Leo
Starring: Tilda Swinton, Amber Tamblyn, Timothy Hutton, Melissa Chessington Leo, Jim Gaffigan, Denis O'Hare, Kel O'Neill, Neal Huff
Director: Hilary Brougher
Director: Hilary Brougher
Screenwriter: Hilary Brougher
Producer: Sean Costello, Doug Dey
Composer: David Mansfield
Studio: Regent Releasing
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Reviews for Stephanie Daley
[Director Braugher] does get at something rarely broached in movies: The abject fear that some women experience regarding their impending childbirth. The fear is not an existential one, it's basic -- a fear of physical pain.
With a calmness that bespeaks confidence, this small, spellbinding second feature by Hilary Brougher brings together two women, trapped in separate states of denial and distress, who manage to end each other's entrapment.
Most persuasive as a realist family drama made by a writer-director whose forte is the accretion of quotidian detail that, as much as any crisis, tells us who her characters are.
Stephanie Daley has a few overly arty moments, yet there's a careful and very welcome literary feel to its story, and something heartbreakingly real about the characters it contains.
Brougher brings a particularly female sensibility to her work. I think most male writer-directors would structure this story around choices and actions. Will Stephanie accept a plea bargain? Will Lydie push her patient into facing the truth? Will
For all Brougher’s smart choices, her film is frequently compromised by too much tidiness.
However you feel about her character and what she may or may not have done, Tamblyn's portrayal of Stephanie Daley is softly devastating.
Stephanie Daley ultimately stays with you is chiefly due to Tamblyn, late of television's Joan of Arcadia. She gives a penetrating, stunningly unaffected performance that should be remembered, come award season.
The movie amounts to an extended short story that progresses slowly and fades away with key questions unanswered. Ambiguity isn't necessarily interesting.
A subject that could easily devolve into malaise-of-the-week TV fodder is treated with all the complexity it is due.
In addition to the two female leads, filmmaker Brougher does exceptionally commendable work.
By remaining physically and emotionally attuned to her actors rather than the considerable melodramatic heft of her story, Brougher avoids the towel-wringer this unfortunately topical story could have been.
It's a spare, minimalist work, filled with elegantly lit, stark interiors which contrast with the emotional and psychological turmoil seething within the characters.
Without standing on a soapbox Stephanie Daley suggests a tragic gender gap between men who judge and women who feel.
Brougher's film would seem more like the drudge work of a lot of made-for-TV melodramas if it weren't for its plausibly raw suburban atmosphere and the zone of intimacy established by both co-producer Swinton and, especially, Tamblyn.
A major American film, announcing the arrival of an independent director who deserves all the hype.
A cerebral, female empowerment flick which takes its cues from empathy and understanding as opposed to two-fisted testosterone.
This lacerating drama from writer-director Hilary Brougher shines a piercing light onto some of the hidden terrors of women, especially in an era when abstinence can shade into ignorance.
There's an unpretentious complexity to Brougher's paralleling of Stephanie and Lydia's private lives, and though the story is littered with contrivance, the actresses keep things recognizably human.
Latest News for Stephanie Daley
September 05, 2007:
RT on DVD: It's TV Time!
It's definitely a week for TV on DVD. With the exception of a few exceptional dramatic feature films (Stephanie Daley, The Wind That Shakes the Barley), today's releases offer a... More...
April 28, 2007:
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April 19, 2007:
Critical Consensus: Check In With "Vacancy"; "Fracture" Is Solid; "Fuzz" is Hot; "Women" Is Not
This week at the movies, we've got motel hells ("Vacancy," starring Luke Wilson and Kate Beckinsale), legal battles ("Fracture," starring Anthony Hopkins and... More...
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