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Stevie (2003)
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Reviews Counted:74
Fresh:67
Rotten:7
Average Rating:7.6/10
Consensus: Poignant documentary that's hard to forget.
Theatrical Release:Mar 28, 2003 Limited
Synopsis:
"This is the hardest film I've ever made. But, I also think it's the most honest in its attempt to portray the complexity of family relationships." - Director Steve James
Steve James, Academy...
"This is the hardest film I've ever made. But, I also think it's the most honest in its attempt to portray the complexity of family relationships." - Director Steve James
Steve James, Academy award nominated director of the widely acclaimed documentary "Hoop Dreams", brings you a moving film about James' relationship with an adult suffering the after effects of extreme childhood neglect. Acclaimed upon its world premiere at the recent Toronto Film Festival, the film was also recently accepted into competition at Sundance Film Festival 2003.
When James was in grad school he became a Big Brother to a disturbed but endearing boy named Stevie Fielding. James tells us quite candidly that a boy as troubled as Stevie was not what he had signed up for when he decided to become a Big Brother; he envisioned taking on a young boy without a father with whom he could play sports with. This is not what he got.
As a child, Stevie had been placed and removed from every foster home in Southern Illinois and as an adult, he was arrested for a wide range of criminal acts. Having lost touch for 10 years, James revisits the friendship with the now mid-twenties Fielding. During the course of filming, Stevie is arrested for a horrifying crime. James struggles between his affection for Stevie and the reality of the crime he has committed while exploring the forces that shaped Stevie's life. STEVIE is ultimately a film about the humanity and compassion that can be found in even the darkest and most unlikely places.
The film was produced by Steve James, Adam Singer and Gordon Quinn and executive produced by Gordon Quinn and Robert May. A Production of SenArt Films and Kartemquin Films. A Lions Gate Films Release, Stevie will open in New York and Los Angeles on March 28, 2003.
Starring: Stephen Fielding, Steve James
Starring: Stephen Fielding, Steve James
Director: Steve James
Director: Steve James
Producer: Gordon Quinn, Steve James, Adam D. Singer
Studio: Lions Gate Films
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Reviews for Stevie
A haunting documentary/ personal essay that provokes violently mixed feelings toward both subject and filmmaker.
A fascinating case study...the leisurely, almost rambling approach that James has adopted eventually pays dividends.
Filmmaker James -- whose wife is a social worker -- should be applauded for his courage and commitment.
...one of the most overwhelmingly compassionate, humane and transcendent experiences I've ever had in a movie theater.
["Stevie"] should be watched by any aspiring documentary filmmakers as a standard of excellence.
Possibly looking for a personal catharsis, James gets a whole lot of heartbreak, yet still presents an unblinking portrait of a complex personality.
It's a hard ride, and it brings you to places you wish you'd never consented to go, but it's worthwhile.
Some viewers will feel moved to tears of compassion, and others will point to Stevie Fielding as an argument for more barbed wire on the prison walls. But there's no denying this is an important film.
The road of Stevie is a rough ride, and at 145 minutes, it's a long one. But in an age of so-called reality shows that are no more than hyped entertainment, it is a rewarding if distressing look at flawed but genuine human beings.
Stevie is a fascinating, irritating movie, with a portrait of a hopelessly troubled young man at its center.
The director allows both lead characters to be seen as failures, remarkable for the fact that he himself is one of them.
For all Stevie implies about the guilt, contradictions and confused motivations of its filmmaker, at bottom it is a deeply humane and touching experience.
While ostensibly about how the System failed Stevie, this documentary is, of course, really about James who frets, ad nauseam, about his own motives in imposing himself on Stevie and his dysfunctional family.
Despite good reviews at this year's Sundance Film Festival, this is the kind of squishy lost cause that gives liberal guilt a bad name.
Stevie is one of the saddest and most appalling documentaries extant, particularly for what it says about American society in general.
James probes into some terrifyingly difficult places in an attempt to discover Stevie's soul as well as his own.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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