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Stevie (2003)
Tomatometer
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Reviews Counted:74
Fresh:67
Rotten:7
Average Rating:7.6/10
Consensus: Poignant documentary that's hard to forget.
Theatrical Release:Mar 28, 2003 Limited
Synopsis:
"This is the hardest film I've ever made. But, I also think it's the most honest in its attempt to portray the complexity of family relationships." - Director Steve James
Steve James, Academy...
"This is the hardest film I've ever made. But, I also think it's the most honest in its attempt to portray the complexity of family relationships." - Director Steve James
Steve James, Academy award nominated director of the widely acclaimed documentary "Hoop Dreams", brings you a moving film about James' relationship with an adult suffering the after effects of extreme childhood neglect. Acclaimed upon its world premiere at the recent Toronto Film Festival, the film was also recently accepted into competition at Sundance Film Festival 2003.
When James was in grad school he became a Big Brother to a disturbed but endearing boy named Stevie Fielding. James tells us quite candidly that a boy as troubled as Stevie was not what he had signed up for when he decided to become a Big Brother; he envisioned taking on a young boy without a father with whom he could play sports with. This is not what he got.
As a child, Stevie had been placed and removed from every foster home in Southern Illinois and as an adult, he was arrested for a wide range of criminal acts. Having lost touch for 10 years, James revisits the friendship with the now mid-twenties Fielding. During the course of filming, Stevie is arrested for a horrifying crime. James struggles between his affection for Stevie and the reality of the crime he has committed while exploring the forces that shaped Stevie's life. STEVIE is ultimately a film about the humanity and compassion that can be found in even the darkest and most unlikely places.
The film was produced by Steve James, Adam Singer and Gordon Quinn and executive produced by Gordon Quinn and Robert May. A Production of SenArt Films and Kartemquin Films. A Lions Gate Films Release, Stevie will open in New York and Los Angeles on March 28, 2003.
Starring: Stephen Fielding, Steve James
Starring: Stephen Fielding, Steve James
Director: Steve James
Director: Steve James
Producer: Gordon Quinn, Steve James, Adam D. Singer
Studio: Lions Gate Films
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Reviews for Stevie
Stevie is worth seeing for its provocative originality, and the debates it is bound to raise.
While Stevie surely tells an intriguing story, it is more interesting as a study of documentary filmmaking.
A devastating portrait of a lost family in a forgotten corner of the country, utterly failed by a bankrupt social-services system.
A monster weighted by the same human blemishes and stains that prevented us from caring when it might have mattered.
[James'] greatest success here is in humanizing Stevie, a victim as well as a victimizer.
A psalm, a piercing, deeply absorbing document of a thousand shades of gray. What gives Stevie its engrossing complexity is, of course, its unshackled, unflinching humanity.
The film goes a long way, sometimes to a fault, to prove that every life is worth examining, no matter how dumb or degraded its particulars.
Of course, James is exploiting Stevie, but the peculiar power of this film lies in James' indirect acknowledgment of it and his hope that his film has some point and value.
James makes visible the process by which a lost soul cuts himself off from emotion in order to survive, only to find that, in the bargain, he's lost the ability to open himself up to anyone who might want to throw him a line.
If James and his crew can spend years with these blighted souls, surely you can spend two hours with them, exploring compassion's outer limits.
A fascinating film that's good but not great and that suffers significantly from being a full half hour too long.
A movie about a convicted sex offender that will move you to tears at the end. That may sound off-putting, and it will be for some people, but you should take a chance anyway. James miraculously maintains his responsibility as a filmmaker and as a frien
In this complex and soulful documentary, Steve James (Hoop Dreams) explores his caring relationship with a troubled young man and in the process reveals that no one can save another person despite good intentions.
At over two hours, the story of Stevie does run a little long, but not for lack of content.
One might conclude that the enormous value of a film like Stevie lies in its ability to take us places we'd probably never go otherwise -- not merely as guilty liberals, but as thinking individuals who want to learn something about the world we inhabit.
Overly long and uncomfortably intrusive, but never less than compelling.
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