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Still Life (2008)
Tomatometer
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Reviews Counted: 42
Fresh: 38
Rotten:4
Average Rating: 7.8/10
Consensus: Zhangke spellbindingly captures the human cost of rapid industrialization in modern China.
Theatrical Release:2006
Synopsis: Fengjie’s old town is already under water, but its new neighbourhood hasn’t been finished yet. There are things to salvage and there are things to leave behind… Han Sanming, a miner, travels to... Fengjie’s old town is already under water, but its new neighbourhood hasn’t been finished yet. There are things to salvage and there are things to leave behind… Han Sanming, a miner, travels to Fengjie to look for his ex-wife whom he has not seen in 16 years. Seeing each other by the Yangtze River, they decide to remarry. Shen Hong, a nurse, travels to Fengjie to look for her husband who hasn’t come home in two years. They hug in front of the Three Gorges Dam. Despite a dance, they sadly call it quits and decide to divorce. [More]
Starring: Zhao Tao, Han Sanming, Li Zhu Bing, Wang Hongwei
Starring: Zhao Tao, Han Sanming, Li Zhu Bing, Wang Hongwei, Ma Lizhen, Lan Zhou
Director: Jia Zhang Ke
Director: Jia Zhang Ke
Screenwriter: Jia Zhang Ke
Producer: Xu Pengle, Wang Tianyun, Zhu Jiong
Composer: Lim Giong
Studio: New Yorker Films
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Reviews for Still Life
More than a million people have been displaced in central China in the cause of generating electrical power to meet the needs of the future; Jia's flowing river of a picture washes over a few of them as they adjust to life's currents in the present.
The despondent tone is lifted by moments of hope and, surprisingly, hilarity.
Still Life is a moody undertaking, with little action but plenty going on.
Jia Zhang Ke is perhaps the most distinctive director working in China now.
Still Life is all about these common people existing in a world that seems more and more unreal
Simply one of the best films of last year, this year, or any year likely to come.
An extraordinary glimpse into the psychology, subtext and austere reality of modern Chinese culture.
Director Jia Zhang-ke sees the urbanization of China through the eyes of the relocated laborers.
Jia has taken supposedly naturalistic approach to filmmaking and, here at least, uses amateur actors and other fresh faces. A few of these newcomers are stiff and appear to be uncomfortable on camera.
The rising waters of the Yangtze become a melancholy backdrop for a diaspora in which people try to establish some connection in a place where their old lives literally are being washed away.
Richly rewarding to those willing to roll with its deliberate rhythms.
As much an exploration of emotional and cultural problems in modern day China, as it is the tale of one man's lost love.
Never has destruction looked more beautiful than the demolished buildings in Jia Zhang-ke's Still Life.
A dazzling package, filled with award-worthy cinematography and pacing.
Writer-director Jia Zhangke is a keen observer of the effects of the break-neck modernization that is stampeding China toward a future that no one can predict, control, or contain.
Contains some of the most inerrant, beautiful compositions you will see in a theater this year.
Jia Zhang-ke is a new auteur making his mark. Embraced abroad on the international festival circuit, if less welcome on screens in China, this writer-director works in a genre that could be called globalist.
Jia [Zhang-Kie] is proving to be a world-class filmmaker with a brilliant eye for both the small details and the big picture.
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