Deceptively prosaic and deeply humane...
Still Life (2008)
Tomatometer
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Reviews Counted:43
Fresh:39
Rotten:4
Average Rating:7.8/10
Consensus: Zhangke spellbindingly captures the human cost of rapid industrialization in modern China.
Theatrical Release:2006
Synopsis: Fengjie’s old town is already under water, but its new neighbourhood hasn’t been finished yet. There are things to salvage and there are things to leave behind… Han Sanming, a miner, travels to... Fengjie’s old town is already under water, but its new neighbourhood hasn’t been finished yet. There are things to salvage and there are things to leave behind… Han Sanming, a miner, travels to Fengjie to look for his ex-wife whom he has not seen in 16 years. Seeing each other by the Yangtze River, they decide to remarry. Shen Hong, a nurse, travels to Fengjie to look for her husband who hasn’t come home in two years. They hug in front of the Three Gorges Dam. Despite a dance, they sadly call it quits and decide to divorce. [More]
Starring: Zhao Tao, Han Sanming, Li Zhu Bing, Wang Hongwei
Starring: Zhao Tao, Han Sanming, Li Zhu Bing, Wang Hongwei, Ma Lizhen, Lan Zhou
Director: Jia Zhang Ke
Director: Jia Zhang Ke
Screenwriter: Jia Zhang Ke
Producer: Xu Pengle, Wang Tianyun, Zhu Jiong
Composer: Lim Giong
Studio: New Yorker Films
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Reviews for Still Life
As much an exploration of emotional and cultural problems in modern day China, as it is the tale of one man's lost love.
Both a docudrama with obvious social and historical relevance and a subtle, slow, quietly powerful chronicle of human loss.
Jia Zhang-ke is a new auteur making his mark. Embraced abroad on the international festival circuit, if less welcome on screens in China, this writer-director works in a genre that could be called globalist.
Director Jia Zhang-ke sees the urbanization of China through the eyes of the relocated laborers.
Still Life can be frustratingly slow but it's the effect that it has in the hours and days after the lights come up that makes it such a remarkable experience.
Nothing much happens in Still Life, its atmosphere is everything. The characters, like the half-flooded town itself, linger between the past and an unknown future.
Still Life is all about these common people existing in a world that seems more and more unreal
Playful and moody, naturalistic and surreal, Still Life is a film not to be missed.
Despite all this desolation and depression, Still Life is an extremely beautiful movie: the river and the green mountains on both sides of it extend into the distance in majestic panoply; gray clouds hang over the scene like painted backdrops.
Winner of the top award at 2006 Venice Festival, this sober look at the human price of inevitable technological changes (building of dam on Yangtze River) continues Jia Zhang-ke's explortaion of his recurrent concern with tradition versus modernity.
Jia Zhangke has an uncanny knack for grounding his portraits of Chinese alienation in settings that are at once schematically allegorical and tangibly lived-in.
An artful and philosophical film, filled with visual riches and mystifying scenes, about change, loss, and the difficulty of letting go.
Never has destruction looked more beautiful than the demolished buildings in Jia Zhang-ke's Still Life.
What's striking about Still Life is its micro-analytical curiosity: Judgment seems suspended -- like the bridge that magically lights up over the Yangtze or the unlikely tightrope walker glimpsed in the movie's last shot.
These searches are not particularly suspenseful or emotionally stirring, but they're excuse enough for us to take in the breath-taking views of Three Gorges, the river and the razing of buildings along its banks.
Jia has taken supposedly naturalistic approach to filmmaking and, here at least, uses amateur actors and other fresh faces. A few of these newcomers are stiff and appear to be uncomfortable on camera.
A dazzling package, filled with award-worthy cinematography and pacing.
The results are exhilarating, expertly choreographed and a movie to change one's view of both cinema and life.
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