Typically light fare from the master of French Lite
Stolen Kisses (1968)
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Reviews Counted:16
Fresh:15
Rotten:1
Average Rating:7.7/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: François Truffaut's BAISÉS VOLÉS (STOLEN KISSES) is the third film in the director's Antoine Doinel series, which begins with young Antoine (Jean-Pierre Léaud) running away from home in THE 400... François Truffaut's BAISÉS VOLÉS (STOLEN KISSES) is the third film in the director's Antoine Doinel series, which begins with young Antoine (Jean-Pierre Léaud) running away from home in THE 400 BLOWS. Now the lovable everyman is a bushy tailed twentysomething who has just been released from military service. Anxious to jump back into civilian life, he reunites with his girlfriend, Christine (Claude Jade), and starts a job as a night watchman at a hotel. Some hilarious scenes follow as Antoine's combined incompetence, flightiness, and general bad luck land him in some ruthlessly ironic situations. Still, the determined youth perseveres. After he loses his hotel job, Antoine is hired as a private detective, and then as a shoe salesman; he's fired, however, for sleeping with the boss's wife (Delphine Seyrig). And when he's not working, he throws money at whores like there's no tomorrow. (His date with "a very tall woman" epitomizes the quirkiness of French humor.) In an unforgettable scene, the frenzied Antoine stands in front of the mirror emphatically repeating the names of his lovers and then his own. All of these famously original episodes feed into flashbacks from previous films in the series. To complete the picture, BAISÉS VOLÉS includes beautiful shots of Paris--the Sacre Couer, the Arc de Triomphe, and other favorite monuments--that cement the always-romantic nature of Truffaut's works. [More]
Starring: Jean-Pierre Léaud, Claude Jade, Delphine Seyrig
Starring: Jean-Pierre Léaud, Claude Jade, Delphine Seyrig
Director: François Truffaut
Director: François Truffaut
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Reviews for Stolen Kisses
This amusing and entertaining French film is a valentine to love and the emotions it arouses.
A movie so full of love that to define it may make it sound like a religious experience, which, of course, it is -- but in a wonderfully unorthodox, cockeyed way.
Despite some of the broadness of the comedy (one of the funniest scenes being Antoine’s clearly inept attempt to tail a woman on the street), the film is tempered throughout by a series of lessons Antoine learns about the nature of the adult world.
Stolen Kisses certainly has charm, and is more accessible to mainstream audiences than the previous Antoine films.
While Truffaut was fiddling with this trifle, the streets of Paris were burning with a student riot in May 1968.
The gentle tone of Stolen Kisses seems keyed to Jean-Pierre Léaud’s unassuming poignancy in the role of Antoine Doinel. His relaxed improvisatory manner in front of the camera remains as fresh today as it was in 1968.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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