Apart from Considine, the actors all deliver superficial performances beneath several layers of slathered-on Summer Of Love drag, and Woolley's use of multiple film stocks and flash-cut editing jumbles together a bunch of '60s filmmaking clichés without
Stoned (2006)
Tomatometer
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Reviews Counted:47
Fresh:7
Rotten:40
Average Rating:4.1/10
Theatrical Release:Mar 24, 2006 Limited
Synopsis: Director/Producer Stephen Woolley's STONED is a dramatic attempt--researched for 10 years--to accurately portray the controversial events surrounding the death of Rolling Stones founding member and... Director/Producer Stephen Woolley's STONED is a dramatic attempt--researched for 10 years--to accurately portray the controversial events surrounding the death of Rolling Stones founding member and guitarist Brian Jones at age 27, on July 2nd, 1969. To create his work, Woolley synthesized the written memoirs and testimonials of the witnesses who were there. Beginning a few months before Jones's death, the film focuses on a relationship he forged with Frank Thorogood (Paddy Constantine), a builder hired to fix up the rock star's home. Alone--save for his girlfriend Anna--and ostracized from his band-mates due to drug problems and legal tangles, Jones draws Thorogood in as a part-time friend and part-time assistant. When Jones is summarily fired from the band--only weeks before his demise--Thorogood is also let go, and becomes jealous and enraged. Deftly placed flashbacks throughout the film catalog Jones's ascent and--more gratuitously--his drug-filled self-destructive descent. Coupling these with the volatile relationship with Thorogood, the film discreetly shows the complex causes of Jones's untimely death. To capture the spirit of the times, Woolley fills his soundtrack with 1960s nuggets, including excellent covers of Stones material by modern British acts like A Band of Bees and Little Barrie. He also shoots the flashbacks and recreated concert footage with a hand-held 16mm camera, achieving a real-life documentary feel. In this film, Brian Jones and his unfortunate end (strangely ruled "death by misadventure" at the time) are cast further into the mythical and legendary status they have achieved--and deserved. [More]
Starring: Leo Gregory, Paddy Considine, Monet Mazur, Luke De Woolfson
Starring: Leo Gregory, Paddy Considine, Monet Mazur, Luke De Woolfson, James D. White
Director: Stephen Woolley
Director: Stephen Woolley
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Reviews for Stoned
Gregory has all the necessary quicksilver, will-o-the-wisp, mercurial charm to play Jones, making his brilliantly etched personality seductive and fascinating, whether he's being gorgeously appealing or viciously mean.
In the end, a Stones (or a Jones) movie with no Stones songs is itself a bit like death by misadventure.
A tawdry fictionalized account of Jones' last days, ignoring his contributions to rock to focus on the sex, drugs and controversy
Stoned stylishly captures the counterculture look and feel but suffers from dazed and confused storytelling, due to awkwardly inserted flashbacks and a dramatically inert script.
More than just another dead-celeb biopic, this is an effective evocation of the era in which Jones lived and died.
It never truly reveals who Brian Jones was before he fell apart. His indulgence, and his demise, play out in a void.
Except for copious amounts of male and female nudity, Stoned has absolutely nothing to recommend it.
A typical, but very effective chronicle of yet another man's downfall in the black hole that is fame through rock and roll, and the complacent enabling of his friends and family.
The acting is fine, but all in all, we wonder whether or not this was worth the effort.
The film dishes oodles of sex and drugs but skimps on the rock 'n' roll.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
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