Stop-Loss, a harrowing, emotional indictment of a war that has divided this country like no conflict since Vietnam, delves into what happens when the country doesn't do as well by its soldiers as they do by it.
Stop-Loss (2008)
Tomatometer
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Reviews Counted:138
Fresh:89
Rotten:49
Average Rating:6.3/10
Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.
Rated: R [See Full Rating] for graphic violence and pervasive language.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Mar 28, 2008 Wide
Box Office: $10,796,776
Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown
Director: Kimberly Peirce
Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures
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Reviews for Stop-Loss
Stop-Loss should have been a thought-provoking drama; instead, the crucial subject of PTSD is lost amidst melodrama and mediocrity.
...more of an artillery based Abercrombie and Fitch road trip than a concise character study.
An incredibly frustrating drama that starts off promisingly, featuring a talented ensemble, but devolves into too much repetitive rhetoric and a predictable non-conclusion.
Peirce is thisclose from a really powerful movie but there's too many missteps to recommend it despite some quality acting.
Well-meaning attempt to call attention to the wildly unfair practice of sending troops back to war after their tour of duty is over is told with broad, obvious brushstrokes. Still, it's good that it was told at all.
In Rico especially, and in Brandon's confrontations with his own delusions, the movie focuses on the unhealthy rituals of manhood and male community encouraged by the military
If Gordon-Levitt (who's delivered stellar performances in Mysterious Skin and The Lookout) had been moved up from his supporting role to the lead, the film would improve considerably.
Rather than dwell with a bunch of debating politicians, Peirce explores the serious psychological issues that many soldiers have upon return from any war.
[I]t's pro-the-troops -- as if anyone could honestly be against the health and well-being of our troops -- but anti-the-bullsh*t that they're being put through...
Told entirely from the point of view of the servicemen, it avoids the pitfalls that less-subtle, sloganeering Iraq war movies like "Lions for Lambs" fell into last year.
The film teeters on the balance until arriving at its genuinely moving and depressingly honest final act.
If the details of the story are a tad melodramatic, the overall circumstances are all too painfully real.
"Stop-Loss" isn't so much a bad film as it is an annoyingly uneven one.
Loses sight of its most compelling story and gets weighed down by an anti-war theme, no matter how much you agree or disagree with that theme, and no matter how well the cast performs.
Stop-Loss' inability to find any coherent statement to make about what's happening to our soldiers is only a source of greater frustration.
occasionally seems like an MTV/Varsity Blues pop variation of In the Valley of Elah
Despite the sincerity of its aspirations, it's hampered by awkward construction...and Hollywood gloss that cannot come close to the real-life soldiers telling their stories.
Director Peirce appears to view both rah-rah patriotism and a keen sense of cynicism at the same time.
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