Adds to the ranks of films on the Iraq war that very few people will volunteer to see, not merely because the topic is difficult but because...it's so terribly uneven.
Stop-Loss (2008)
Tomatometer
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Reviews Counted:138
Fresh:89
Rotten:49
Average Rating:6.3/10
Consensus: Stop-Loss is sincere and complex, and features strong performances, even if it tries to cover too much ground.
Rated: R [See Full Rating] for graphic violence and pervasive language.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Mar 28, 2008 Wide
Box Office: $10,796,776
Synopsis: Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to... Director Kimberly Peirce (BOYS DON'T CRY) tackles another controversial topic with STOP-LOSS, the story of a U.S. soldier forced back into battle. Brandon King (Ryan Phillippe) has just returned to Texas after a harrowing final tour in Iraq. He's accompanied by the remaining men from his unit, all of whom are more than a little shell-shocked. Welcomed home as a hero, Brandon is awarded a Purple Heart by a visiting state senator. But the homecoming quickly turns sour, as each of the soldiers struggles to assimilate back into society. Tommy (Joseph Gordon Levitt) can't lay off the booze, and Steve (Channing Tatum) roughs up his fiancée. Brandon is eager to put the war behind him, but that dream quickly fizzles when he learns that he has been "stop-lossed," or ordered back for another, involuntary tour of duty. Stunned by the news, he goes AWOL and forms a plan to get help from the senator who so recently honored him. He hits the road for D.C., all the while trying to cope with PTSD and battle flashbacks. Torn between his fierce patriotism and what he believes to be outright betrayal by the U.S. Army, he doesn't know where to turn or what to do. He is ultimately faced with the harshest of choices: Iraq, or a life in exile. There are now dozens of films that grapple with the war in Iraq, but STOP-LOSS is unique in its attempt to reach out to a younger audience. Produced by MTV, the film features a striking young cast and a thumping hip-hop soundtrack. There are many commendable performances, most notably from Phillippe and Levitt. Despite the occasional melodrama of some of the scenes, Peirce pulls no punches, and really hammers home the tragic exploitation of American troops. [More]
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt
Starring: Ryan Phillippe, Abbie Cornish, Channing Tatum, Joseph Gordon-Levitt, Ciaran Hinds, Timothy Olyphant, Victor Rasuk, Rob Brown
Director: Kimberly Peirce
Director: Kimberly Peirce
Screenwriter: Mark Richard, Kimberly Peirce
Producer: Kimberly Peirce, Mark Roybal, Scott Rudin, Gregory Goodman
Composer: John Powell
Studio: Paramount Pictures
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Reviews for Stop-Loss
Stop-Loss goes in too many directions at once, and most of those directions are predictable.
If the war effort is bent on alienating the core of troop morale while frightening potential recruits from joining up, mission accomplished.
Strangely, it has come out at once too soon and - for those who have already been stop-lossed - too late.
While Phillippe does a creditable job and Cornish is suitably torn by her divided loyalties to two men, Tatum and especially Gordon-Levitt are utterly wasted, used like extras when either of their stories seems interesting enough for a film of its own.
Despite structural deficiencies, 'Stop-Loss' is a riveting assault on the Pentagon's abuse of power during the Iraq war.
Strewn story parts pile up in Stop-Loss, a painfully polite Iraq war drama pitched at the MTV generation.
Brilliantly observed and vividly shot, built on a career-making performance by Ryan Phillippe, its an Iraq War movie for Americans whove been avoiding Iraq movies, even the good ones such as In the Valley of Elah.
Being better than In the Valley of Elah’s lazy view of returning vets as damaged and mentally depraved isn’t good enough.
Stop-Loss has painted itself into a dramatic corner, which might be the most honest expression of the filmmaker's empathy for the men and women serving in Iraq.
Stop-Loss is far less about the Iraq War than a study of the soldiers and what makes them tick. Through her superlative script, Kimberly Peirce captures the heart of what makes soldiers do what they do even in light of the story's betrayal.
deserves praise for dealing honestly with a thorny issue where most other filmmakers would simply resort to propaganda.
Might never be viewed as light entertainment, but the strong performances and ideas make it a satisfying film, one that you can ponder and discuss, as well as a powerful tribute to our troops.
Boys Don't Cry director Kimberly Pearce attempts to anchor the Iraq War debate in the lives of a specific subset of soldiers and nearly pulls it off. But her promising premise runs into a rut of incompatible accents and melodramatic excess.
Maddening, upsetting, and articulate, it's a film that dares to address a malicious tentacle of Government expediency connected to a much larger monster.
Even when the script slips into sentiment, [director] Peirce sticks with her troubled, questing soldiers, and through this raw and riveting movie, they stick with us.
Sharply uneven, Peirce's film is structurally flawed in the first reels, but it improves considerably in the second half, which documents the dramatic effects of a controversial, little known government policy on a cligue of friends.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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