Romantic Comedy Next For Stop Loss Director Kimberly Peirce
Human Rights Organization spotlights the U.S. director for grant.
In the nine years since Kim Peirce's success with Boys Don't Cry, she's been pitched a number of projects but spent most of those years between researching and writing her newest film Stop Loss. However, Peirce's next project appears to be a light and swift 180 from her past two issue-oriented films as she tackles a wholly different genre: the romantic comedy.
In an interview with RT, Peirce described her next project as a "reality inspired" romantic comedy, with a new spin. "[There are] two scripts that I'm writing," Peirce said. "One is a dark sexual story and one is a romantic comedy, both inspired by reality. It's a gender twist on the classical romantic comedy."
Perhaps proving this romantic comedy will offer some socially relevant ideas, a UN associated Human Rights Organization has offered Peirce a grant to fund the first portion of production.
"They're picking 20 filmmakers from 20 different countries and they're giving us a really nice sized grant," she explained. "I'm going to use [it] to shoot the first three minutes of the romantic comedy in the next few months."
Though much has been made of the nine-year absence from filmmaking Peirce took between Boys Don't Cry and this week's Stop-Loss, she is preparing to take shorter rests between her next projects: "I'm reading scripts in Hollywood and hoping there'll be a script I can jump into pretty quickly that I love and is meaningful."
Stop Loss hits theatres today and currently has a Tomatometer of 61 percent.
In an interview with RT, Peirce described her next project as a "reality inspired" romantic comedy, with a new spin. "[There are] two scripts that I'm writing," Peirce said. "One is a dark sexual story and one is a romantic comedy, both inspired by reality. It's a gender twist on the classical romantic comedy."
Perhaps proving this romantic comedy will offer some socially relevant ideas, a UN associated Human Rights Organization has offered Peirce a grant to fund the first portion of production.
"They're picking 20 filmmakers from 20 different countries and they're giving us a really nice sized grant," she explained. "I'm going to use [it] to shoot the first three minutes of the romantic comedy in the next few months."
Though much has been made of the nine-year absence from filmmaking Peirce took between Boys Don't Cry and this week's Stop-Loss, she is preparing to take shorter rests between her next projects: "I'm reading scripts in Hollywood and hoping there'll be a script I can jump into pretty quickly that I love and is meaningful."
Stop Loss hits theatres today and currently has a Tomatometer of 61 percent.
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| Celeb: | Kimberly Peirce |
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EJones216 writes: on Mar 28 2008 08:30 PM Definitely not where I thought Peirce was gonna go! (but regardless if it happens I'll see it) (Reply to this) |
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Bloody Mathias writes: on Mar 29 2008 05:48 AM Yeah, who woulda thunk it?!? Pierce should leave that crap to Nancy Myers. (Reply to this) |
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tayrank18 writes: on Mar 30 2008 02:57 PM htt h (Reply to this) |
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PornAgainChristian writes: on Mar 30 2008 02:58 PM 4.5 million take, ladies and gentlemen. Final proof that the American public doesn't want to see you capitalize by exploiting the soldiers. (Reply to this) |
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qnetter writes: on Mar 30 2008 11:43 PM Exploiting? See it? Or have any idea what it's about -- that is, any idea you didn't get from talk radio? (Reply to this) |
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donwillymo writes: on Mar 31 2008 07:16 AM From a bombing piece of crap, to an even more crappier bomb. thanks peirce...I guess the i before e rule doesn't apply to you either. Holla (Reply to this) |
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PornAgainChristian writes: on Mar 31 2008 10:38 AM In reply to this comment (#1661997) Yes I know what it's about. It's about packaging an issue the public has been aware of since 2003 so you can make a quick buck while pretending you're doing something important. Unfortunately not only did the movie bomb, but the exact same number of soldiers are in Iraq today as were there Friday. (Reply to this) |
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