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Stop-Loss Reviews

Page 1 of 7
Marlow Stern
Manhattan Movie Magazine

While Stop-Loss is more ambitious and well-crafted than the paint-by-numbers Varsity Blues, these two coming-of-age stories still belong in a similar film category: melodrama

| Original Score: 3/5

March 27, 2008
Fernando F. Croce

Feverish yet bizarrely apolitical, the movie tries to have it both ways and fumbles its outraged and reconciliatory impulses equally

Full Review Source: CinePassion

August 27, 2009
Amy Biancolli
Houston Chronicle
Top Critic IconTop Critic

It's more a sweaty assemblage of dramatic high-points than a coherent, persuasive story of wounded warriors trying to make it.

Full Review Source: Houston Chronicle | Original Score: 2.5/4

March 28, 2008
Chris Barsanti

occasionally seems like an MTV/Varsity Blues pop variation of In the Valley of Elah

Full Review Source: | Original Score: 3/5

March 27, 2008
Bill Weber
Slant Magazine

That Stop-Loss wears its generally good intentions on its camo sleeve doesn't keep it from being consigned to the missed-opportunity file.

Full Review Source: Slant Magazine | Original Score: 2/4

March 27, 2008
Robert Davis
Paste Magazine

It strokes every personal ideal, whatever it is, rather than aligning itself with its characters and letting the conclusions arise out of who they are.

Full Review Source: Paste Magazine

June 3, 2008
Austin Kennedy
Sin Magazine

The film gets pretty heavy handed in the last third and is weighed down by an inadequate performance.

Full Review Source: Sin Magazine | Original Score: 2.5/4

June 18, 2008
Bill Gibron

...more of an artillery based Abercrombie and Fitch road trip than a concise character study.

Full Review Source: PopMatters | Original Score: 2.5/5

March 28, 2008
Brian Orndorf

Stop-Loss features cartoonish lessons on disillusionment and irksome actors trying to blue-steel the crap out of each other.

Full Review Source: | Original Score: D

March 27, 2008
Jim Lane
Sacramento News & Review

...road-picture inertia with flashes of overwrought melodrama.

Full Review Source: Sacramento News & Review | Original Score: 2/5

April 4, 2008
Brian Gibson
Film School Rejects

Stop Loss was just a big hot mess of a film, that I'm sure will sell well with teenage girls.

Full Review Source: Film School Rejects | Original Score: D

March 14, 2008
Kyle Smith
New York Post
Top Critic IconTop Critic

After five years of news footage and documentaries coming from the war in Iraq, Stop-Loss is as phony as a re-enactment with finger pup pets.

Full Review Source: New York Post | Original Score: 1/4

March 28, 2008
Geoff Berkshire

Plays like a homage to '70s and '80s-era Vietnam films, which only underlines how depressing it is that the same kind of human tragedy is still being explored today.

Full Review Source: | Original Score: 3/5

March 27, 2008
Christy Lemire
Associated Press
Top Critic IconTop Critic

Peirce (with co-writer Mark Richard) also vacillates between earnestness and superficiality, making Stop-Loss too often feel like eye candy with a message.

Full Review Source: Associated Press

March 27, 2008
Claudia Puig
USA Today
Top Critic IconTop Critic

Stop-Loss can't quite decide whether to focus on making a powerful statement on a controversial and unfamiliar military policy or on a more predictable drama about the traumatic effect of war on young people's lives.

Full Review Source: USA Today | Original Score: 2.5/4

March 28, 2008
Jeffrey M. Anderson
Combustible Celluloid

It's one long, angry howl with nary a pause for breath.

Full Review Source: Combustible Celluloid | Original Score: 1.5/4

March 27, 2008
Peter Sobczynski

"Stop-Loss" isn't so much a bad film as it is an annoyingly uneven one.

Full Review Source: | Original Score: 3/5

March 27, 2008
Brandon Fibbs
Christianity Today

Stop-Loss should have been a thought-provoking drama; instead, the crucial subject of PTSD is lost amidst melodrama and mediocrity.

Full Review Source: Christianity Today | Original Score: 2/4

March 28, 2008
Brian Tallerico
The Deadbolt

An incredibly frustrating drama that starts off promisingly, featuring a talented ensemble, but devolves into too much repetitive rhetoric and a predictable non-conclusion.

Full Review Source: The Deadbolt

March 28, 2008
Thomas Peyser
Style Weekly (Richmond, VA)

The Worst Years of Our Lives

Full Review Source: Style Weekly (Richmond, VA)

April 11, 2008
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