Opening

47% The Great Gatsby May 10
33% Peeples May 10
94% Stories We Tell May 10
100% The Painting May 10
—— Assault On Wall Street May 10
53% Aftershock May 10
86% Sightseers May 10
40% No One Lives May 10

Top Box Office

78% Iron Man 3 $174.1M
46% Pain & Gain $7.5M
77% 42 $6.1M
56% Oblivion $5.6M
69% The Croods $4.2M
8% The Big Wedding $3.9M
98% Mud $2.2M
60% Oz the Great and Powerful $2.1M
4% Scary Movie 5 $1.4M
81% The Place Beyond The Pines $1.3M

Coming Soon

88% Star Trek Into Darkness May 16
29% Erased May 17
100% Frances Ha May 17
—— The English Teacher May 17

Stories We Tell Reviews

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Owen Gleiberman
Entertainment Weekly
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Takes the proposition that reality is more dramatic than fiction and tests it out in a startlingly original, even head-spinning way.

Full Review Source: Entertainment Weekly | Original Score: A-

May 8, 2013
Stephanie Zacharek
Village Voice
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Polley's documentary, Stories We Tell, attempts to unravel some of the mysteries of her own family's life, even as it stretches far beyond the confines of your standard navel-gazing autobiography.

Full Review Source: Village Voice

May 7, 2013
Tim Grierson
Deadspin

Both of Sarah Polley's previous movies were well-observed, if a bit uneven, but they hold the key to what makes "Stories We Tell" so terrific.

Full Review Source: Deadspin

May 7, 2013
Joshua Rothkopf
Time Out New York
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Polley has gone further into the thorny subject of forgiveness than any of her peers. Her movies ache with ethical quandary; Stories We Tell aches the most.

Full Review Source: Time Out New York | Original Score: 5/5

May 7, 2013
Guy Lodge
Variety
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This playful and elegiac documentary is wholly of a piece with Sarah Polley's fiction work, and just as rewarding.

Full Review Source: Variety

May 1, 2013
Neil Young
Hollywood Reporter
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Canadian documentary skilfully deploys some ambitious creative gambits to explore the director's own family background.

Full Review Source: Hollywood Reporter

May 1, 2013
Jordan Hoffman
ScreenCrush

A study on how facts have repercussions and are interpreted in different ways by different people.

Full Review Source: ScreenCrush | Original Score: 7/10

May 1, 2013
David Edelstein
New York Magazine
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Polley has gone meta-exuberantly, entertainingly, with all her heart.

Full Review Source: New York Magazine

April 29, 2013
Roger Moore
Movie Nation

Self indulgent, yes. But few autobiographical documentaries can boast of the jaw-dropping revelations of this one.

Full Review Source: Movie Nation | Original Score: 3/4

April 26, 2013
Rob Thomas
Capital Times (Madison, WI)

Would "Stories We Tell" have been as compelling if Polley didn't add all the post-modern devices to it? Probably. But the way she tells the story forces us to examine the too-tidy narratives of the stories we tell ourselves.

Full Review Source: Capital Times (Madison, WI) | Original Score: 4/4

April 22, 2013
Frederic and Mary Ann Brussat
Spirituality and Practice

A groundbreaking documentary written and directed by Sarah Polley about family secrets, memory, forgiveness, and reconciliation.

Full Review Source: Spirituality and Practice | Original Score: 5/5

March 28, 2013
Nick McCarthy
Slant Magazine

Sarah Polley is much more interested in the malleability of memory and the consequential refractions felt throughout her kin rather than telling a linear narrative.

Full Review Source: Slant Magazine | Original Score: 3.5/4

March 18, 2013
Erik Childress
Film Threat

Polley points the camera at members of her own family and not only informs on where her directorial efforts stem from but confirm her as one of the best and most interesting filmmakers working today.

Full Review Source: Film Threat | Original Score: 4/4

February 16, 2013
Amanda Mae Meyncke
Film.com
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[Stories We Tell] leaves you wondering about the nature of truth and wanting to know more about the hidden lives of those around us.

Full Review Source: Film.com | Original Score: B

January 20, 2013
Rick Groen
Globe and Mail
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The film is oscillating from intriguing to dull, revealing to repetitious, frank to disingenuous, and moving to manipulative.

Full Review Source: Globe and Mail | Original Score: 2.5/4

October 12, 2012
Peter Howell
Toronto Star
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Sarah Polley's brave quest to uncover her family's deepest secrets unfolds like a thriller, one where the resolution is literally part of her DNA.

Full Review Source: Toronto Star | Original Score: 4/4

October 11, 2012
Mary Corliss
TIME Magazine
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Tthe probing, emotionally devastating documentary that was, for this critic and many others, the revelation of the first week of the Venice Film Festival."

Full Review Source: TIME Magazine

September 24, 2012
Emanuel Levy
EmanuelLevy.Com

| Original Score: B

March 2, 2013
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