It's a beautiful blend of documentary footage, dramatic tension and traditional storytelling, highlighted with social commentary and plenty of camel folklore.
The Story of the Weeping Camel (2004)
Tomatometer
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Reviews Counted:102
Fresh:97
Rotten:5
Average Rating:7.6/10
Consensus: Delightful and strangely moving.
Theatrical Release:Jun 4, 2004 Limited
Box Office: $1,273,397
Synopsis: Effortlessly blending drama, nature documentary, and ethnographic film, THE STORY OF THE WEEPING CAMEL weaves a magical tale about a nomadic Mongolian family who reunite a rejected baby camel with... Effortlessly blending drama, nature documentary, and ethnographic film, THE STORY OF THE WEEPING CAMEL weaves a magical tale about a nomadic Mongolian family who reunite a rejected baby camel with its mother. When a mother camel refuses to sustain her child, the keepers of the camels often reunite them in a ritual with folk music and chanting, the results of which elicit deep emotion--even causing the mother camel to weep real tears. Exploring more than just traditional ritual, this film speaks to the very nature of love--the baby camel cannot survive without his mother, just as no animal or person can. Directors Byambasuren Davaa and Luigi Falorni drew upon the documentary style of Robert Flaherty (NANOOK OF THE NORTH), who recreated events to comprehensively portray his subjects. The pair tirelessly filmed spontaneous events for much of the mother-baby story, but chose to recreate certain moments in the family's daily life. A particularly humorous and insightful example involves a young boy who clearly feels conflicted between his family life and his desire for a more Western life. The film creates a contrast between the two, showing the boy listening to traditional fables in his family's tent, but then dreaming about owning a television. This spare film provides a visually enchanting and unique learning experience. [More]
Director: Byambasuren Davaa, Luigi Falorni
Director: Byambasuren Davaa, Luigi Falorni
Screenwriter: Luigi Falorni, Byambasuren Davaa
Studio: ThinkFilm
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Reviews for The Story of the Weeping Camel
I haven't been this moved by the ineffable wisdom conveyed in the eyes of beasts since Robert Bresson's transcendent Au Hasard Balthazar (1966).
Mixing documentary and staged footage, [the] movie is irresistibly beguiling, in large part because of the simplicity of its story.
Transcends genre to become a deeply affecting allegory about the importance of patience and acceptance.
The film's success rests largely on the shoulders of this engaging clan who, unlike most reality television stars, pays no attention to the cameras.
The truths shown here about the shared human experience are as big as the story being told is small.
An entrancing story of how the neglected reconnect with the mother culture.
Watching Camel is like watching a movie about an endangered species, and I don't mean the camels.
Who knew that nomads' yurts were so cozy and colorful, or that camels could be so soulful?
This quirky docudrama speaks a more universal language: Who does not feel for a child abandoned by his mother?
With its emphasis on harmony and its implied criticism of the decadence of consumerist society, this study of tradition is a rewarding experience.
It's hard to find anything negative to say about such a sweet picture without feeling like a horse's ***.
It's a sad, funny, sometimes brutal look at the way in which the animal world and human world occasionally intersect to their mutual benefit.
Stately and slow, the human and animal protagonists win us over in this plainspoken, non-manipulative film.
A beautiful little film that hovers somewhere between eye-popping documentary and warm-hearted fable.
Like Flaherty's work, the film traverses a narrow line between dramatic staging and the observation of real life in a way that...reveals a unique cultural identity.
Latest News for The Story of the Weeping Camel
October 31, 2006:
RTIndie: Can Indie Studios Survive Without Big Studio Backing?
With the sale of independent-minded ThinkFilm last week, can indie film distributors survive without big studio backing? More...
January 25, 2006:
SUNDANCE: A Buyer Hunts For "Penguins," "Camels"
Adam Lepzig is on the lookout for marching penguins or weeping camels. More to the point, the president of National Geographic Feature Films is looking to acquire films that he... More...
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