Speaks of perfect simplicity and small pleasures.
The Story of the Weeping Camel (2004)
Tomatometer
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Reviews Counted:102
Fresh:97
Rotten:5
Average Rating:7.6/10
Consensus: Delightful and strangely moving.
Theatrical Release:Jun 4, 2004 Limited
Box Office: $1,273,397
Synopsis: Effortlessly blending drama, nature documentary, and ethnographic film, THE STORY OF THE WEEPING CAMEL weaves a magical tale about a nomadic Mongolian family who reunite a rejected baby camel with... Effortlessly blending drama, nature documentary, and ethnographic film, THE STORY OF THE WEEPING CAMEL weaves a magical tale about a nomadic Mongolian family who reunite a rejected baby camel with its mother. When a mother camel refuses to sustain her child, the keepers of the camels often reunite them in a ritual with folk music and chanting, the results of which elicit deep emotion--even causing the mother camel to weep real tears. Exploring more than just traditional ritual, this film speaks to the very nature of love--the baby camel cannot survive without his mother, just as no animal or person can. Directors Byambasuren Davaa and Luigi Falorni drew upon the documentary style of Robert Flaherty (NANOOK OF THE NORTH), who recreated events to comprehensively portray his subjects. The pair tirelessly filmed spontaneous events for much of the mother-baby story, but chose to recreate certain moments in the family's daily life. A particularly humorous and insightful example involves a young boy who clearly feels conflicted between his family life and his desire for a more Western life. The film creates a contrast between the two, showing the boy listening to traditional fables in his family's tent, but then dreaming about owning a television. This spare film provides a visually enchanting and unique learning experience. [More]
Director: Byambasuren Davaa, Luigi Falorni
Director: Byambasuren Davaa, Luigi Falorni
Screenwriter: Luigi Falorni, Byambasuren Davaa
Studio: ThinkFilm
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Reviews for The Story of the Weeping Camel
... plays out like a naturalistic fable in an austere, timeless land in which ancient traditions co-exist with modern technology.
An unusual film that is part ethnographic documentary and part narrative film.
As the film unspools at its slow, observational pace, the effect is almost therapeutic, like sinking into a warm bath.
This is a delightful honestly fascinating piece of work. Beleive it or not, the camel deserves an Oscar.
While it isn't always easy to get used to the slower natural rhythms this film celebrates, its cumulative effect is undeniable.
The touching finale might insure that the camel won't be the only one doing the weeping.
This wonderful Mongolian film is a total delight from start to finish; it speaks volumes about the ties that bind human beings and animals together.
Un relato extraordinario, revelador de la naturaleza humana (y animal), a medio camino entre el registro documental y el realismo poético.
Beyond its rare visions of remote vistas, Camel's great charm lies in its seeming simplicity.
Like "Atanarjuat," gives an inside look at an exotic lifestyle...Davaa and Falorni's drama may be slower paced than Kunuk's murder story, but it is every bit as primal.
Byambasuren Davaa and Luigi Falorni have created a “narrative documentary,” much in the spirit of the groundbreaking works of Robert J. Flaherty (“Nanook of the North” 1922)
It's a tale of two coexisting species, camels and humans, and it's surprisingly fascinating, funny and emotional.
Who knew that nomads' yurts were so cozy and colorful, or that camels could be so soulful?
Like Flaherty's work, the film traverses a narrow line between dramatic staging and the observation of real life in a way that...reveals a unique cultural identity.
Like Himalaya, Weeping Camel essentially lets native people tell their own unforgettable story.
Latest News for The Story of the Weeping Camel
October 31, 2006:
RTIndie: Can Indie Studios Survive Without Big Studio Backing?
With the sale of independent-minded ThinkFilm last week, can indie film distributors survive without big studio backing? More...
January 25, 2006:
SUNDANCE: A Buyer Hunts For "Penguins," "Camels"
Adam Lepzig is on the lookout for marching penguins or weeping camels. More to the point, the president of National Geographic Feature Films is looking to acquire films that he... More...
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