Seems based on ugly ideas instead of ugly behavior, as Happiness was... Hence, Storytelling is far more appealing.
Storytelling (2002)
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Reviews Counted:89
Fresh:47
Rotten:42
Average Rating:5.6/10
Rated: R [See Full Rating] for strong sexual content, language and some drug use
Runtime: 87 mins
Genre: Comedies
Theatrical Release:Jan 25, 2002 Limited
Box Office: $850,758
Synopsis: Director Todd Solondz (WELCOME TO THE DOLLHOUSE, HAPPINESS) presents this characteristically bleak and darkly comic drama in two distinct parts. The first story, "Fiction" stars Selma Blair as Vi,... Director Todd Solondz (WELCOME TO THE DOLLHOUSE, HAPPINESS) presents this characteristically bleak and darkly comic drama in two distinct parts. The first story, "Fiction" stars Selma Blair as Vi, a confused university student who engages in an impulsive tryst with her Pulitzer Prize-winning professor (Robert Wisdom) after arguing with her cerebral palsy-afflicted boyfriend (Leo Fitzpatrick). The second (and longer) tale, "Non-Fiction," stars Paul Giamatti as Toby, a down-on-his-luck documentary filmmaker who turns his camera on Scooby (Mark Webber), an unmotivated teenager, and his suburban New Jersey family. At times even more controversial and confrontational than Solondz's previous films, STORYTELLING bluntly addresses issues such as race, sex, physical impairment, education, censorship, and exploitation, while not-so-subtly referencing and parodying both AMERICAN BEAUTY and AMERICAN MOVIE (whose own Mike Schank appears in the film). Cannily aware of both his admirers and detractors, Solondz has taken the intriguing step of criticizing his own work within the creative confines of the two stories. As with HAPPINESS, the director has assembled an impressive ensemble cast that also includes John Goodman, Julie Hagerty, Franka Potente, and Lupe Ontiveros. As a counterpoint to the often-glum proceedings, a bright, airy soundtrack is provided Belle and Sebastian and songwriter Nathan Larson. [More]
Starring: Paul Giamatti, Selma Blair, Mark Webber, Leo Fitzpatrick
Starring: Paul Giamatti, Selma Blair, Mark Webber, Leo Fitzpatrick, Robert Wisdom, John Goodman, Julie Hagerty, Noah Fleiss, Jonathan Osser, Lupe Ontiveros, Aleksa Palladino, Mike Schank, Franka Potente, Xander Berkeley
Director: Todd Solondz
Director: Todd Solondz
Screenwriter: Todd Solondz
Producer: Ted Hope, Christine Vachon
Composer: Nathan Larson
Studio: Fine Line Features
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Reviews for Storytelling
Not a cozy or ingratiating work, but it's challenging, sometimes clever, and always interesting, and those are reasons enough to see it.
Each story on its own could have been expanded and worked into a compelling single feature, but in its current incarnation, Storytelling never quite gets over its rather lopsided conception.
Provides an intriguing window into the imagination and hermetic analysis of Todd Solondz.
An inelegant combination of two unrelated shorts that falls far short of the director's previous work in terms of both thematic content and narrative strength.
The movie does such an excellent job of critiquing itself at every faltering half-step of its development that criticizing feels more like commiserating.
Too much of Storytelling moves away from Solondz's social critique, casting its audience as that of intellectual lector in contemplation of the auteur's professional injuries.
Solondz may be convinced that he has something significant to say, but he isn’t talking a talk that appeals to me.
While Solondz tries and tries hard, Storytelling fails to provide much more insight than the inside column of a torn book jacket.
Solondz creates some effective moments of discomfort for character and viewer alike.
It’s a feel-bad ending for a depressing story that throws a bunch of hot-button items in the viewer’s face and asks to be seen as hip, winking social commentary.
By not averting his eyes, Solondz forces us to consider the unthinkable, the unacceptable, the unmentionable.
Made me feel uneasy, even queasy, because [Solondz's] cool compassion is on the border of bemused contempt.
The film is all a little Lit Crit 101, but it's extremely well played and often very funny.
Director Todd Solondz has made a movie about critical reaction to his two previous movies, and about his responsibility to the characters that he creates.
Shocking only in that it reveals the filmmaker's bottomless pit of self-absorption.
Fear permeates the whole of Stortelling, Todd Solondz' oftentimes funny, yet ultimately cowardly autocritique.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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