Strawberry Fields Reviews
What Culture
What begins as a tender romance soon enough devolves into overwrought melodrama.
Full Review
| Original Score: 2.5/5
Shadows on the Wall
Aside from the first-rate cinematography and editing, it's is so disappointingly arch that we struggle to believe anything, even as it touches on important themes.
Full Review
| Original Score: 2/5
Daily Telegraph
The film's visual assets are clearer than its batty storytelling.
Full Review
| Original Score: 2/5
Empire Magazine
Tennessee Williams might struggle with the idea of inspiring this project.
Full Review
| Original Score: 2/5
Little White Lies
Beautifully shot and mostly well executed. Lea and her cast are worth looking out for.
Full Review
| Original Score: 3/5
Top CriticGrief and a messy shared history hang in the air like a river mist that won't clear, and the two lead stars make it worthwhile.
Full Review
| Original Score: 3/5
Observer [UK]
I liked this modest film, its unusual setting, its new-folk music (by Troubadour Rose) and its conscious echoes of A Streetcar Named Desire.
Guardian [UK]
The movie isn't perfect and arguably doesn't quite come together at the end, but it works as an intense and bizarre psychological drama, and the Kent landscape is gorgeously evoked.
Full Review
| Original Score: 3/5
Total Film
Its simplicity is both effective and deceptive-a testament to the script's intelligence and to the actors' beguiling (if slightly histrionic) performances.
Full Review
| Original Score: 4/5
