Opening

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40% The Other Woman Apr 25
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Sucker Punch Reviews

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Benjo Colautti
We Got This Covered

Sucker Punch is an example of what happens when creativity derails. It's a sensory overload of utter garbage on every level possible.

Full Review Source: We Got This Covered | Original Score: 2/10

May 3, 2013
Roger Moore
McClatchy-Tribune News Service

Wait, they're letting this guy remake "Superman"?

Full Review Source: McClatchy-Tribune News Service | Original Score: 1/4

January 10, 2013
Ben Kendrick
ScreenRant

Snyder was aiming for more than an action-packed popcorn flick -- making it hard to ignore that the filmmaker, much like Babydoll, temporarily lost his footing in reality.

Full Review Source: ScreenRant | Original Score: 2.5/5

October 2, 2012
Ali Gray
TheShiznit.co.uk

If it wasn't executed with such panache it would probably qualify as one of the dumbest movies of 2011.

Full Review Source: TheShiznit.co.uk | Original Score: 3/5

September 28, 2012
Jeff Beck
Examiner.com

While the visuals are quite impressive and go a long way towards helping the film, it's just not enough to recommend that you take the time to see "Sucker Punch."

Full Review Source: Examiner.com | Original Score: 2.5/4

September 21, 2012
Rob Power
SFX Magazine

An ambitious yet flawed effort, but one executed with undoubted style and verve.

Full Review Source: SFX Magazine | Original Score: 3.5/5

December 22, 2011
Andrea Gronvall
Chicago Reader
Top Critic IconTop Critic

Gun-toting hotties combat assorted villains and their robot henchmen in this tawdry, repellent action fantasy.

Full Review Source: Chicago Reader

December 6, 2011
James Luxford
The National

an optical feast

Full Review Source: The National | Original Score: 3/5

September 1, 2011
Wesley Lovell
Cinema Sight

Had Zack Snyder left no idea undeveloped, he might have had a better film, but underdevelopment appears to have been his motto.

Full Review Source: Cinema Sight | Original Score: 1.5/4

August 15, 2011
Matt Neal
The Standard

What a beautiful-looking mess.

Full Review Source: The Standard | Original Score: 3/5

August 11, 2011
Ben Rawson-Jones
Digital Spy

Just how was this staggeringly poor script given the green light?

Full Review Source: Digital Spy | Original Score: 1/5

July 14, 2011
William Goss
Film.com
Top Critic IconTop Critic

Snyder likes to think that his Russian nesting doll of a concept is enough to excuse its hollow center.

Full Review Source: Film.com

June 29, 2011
Sean Axmaker
Parallax View

It's ridiculous and often incoherent, but also oddly fun in the sheer overkill of pulp and fantasy imagery.

Full Review Source: Parallax View

June 27, 2011
John J. Puccio
Movie Metropolis

The movie probably has more going on in it for less purpose than any film you can name.

Full Review Source: Movie Metropolis | Original Score: 3/10

June 27, 2011
Bruce Bennett
Spectrum (St. George, Utah)

Sadistic and shallow, exploitative and misogynistic, these are the descriptions that 'Sucker Punch' seems not to be so much offended by as revel in.

Full Review Source: Spectrum (St. George, Utah) | Original Score: C-

May 31, 2011
Grae Drake
Movies.com

It's layers upon layers upon layers of not story, but...what's the word? Oh right. Production design.

Full Review Source: Movies.com | Original Score: 1/5

May 13, 2011
Scott Foundas
Film Comment Magazine

It's close to what Quentin Tarantino and Robert Rodriguez were after with their Grind House double-header, but shot through with Snyder's own psychotropic brio (which is something like the unholy union of David Lynch, Brian De Palma, and Ken Russell).

Full Review Source: Film Comment Magazine

May 11, 2011
Rob Humanick
Projection Booth

Its multiple reality constructions are far more tingling than Inception's wannabe mind****.

Full Review Source: Projection Booth | Original Score: B+

May 4, 2011
Mark Bell
Film Threat

The film is a visual feast (and moves slow enough for you to look at it quite a bit), but the story is a straight-up dramatic famine.

Full Review Source: Film Threat | Original Score: 2/5

April 28, 2011
Brian Gibson
Vue Weekly (Edmonton, Canada)

A spectacular flop of fancy, mind-blowingly empty. Muddles along as if Nintendo fused Cabaret and A Streetcar Named Desire for people who play Call of Duty. Snyder's carved out a pointless new subgenre--call it video-game camp.

Full Review Source: Vue Weekly (Edmonton, Canada)

April 25, 2011
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