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Sudden Fear

Sudden Fear (1952)

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Release Date: Jan 1, 1952 Wide

audience

85

liked it
Average Rating: 3.7/5
User Ratings: 1,308

My Rating

Movie Info

Joan Crawford stars as wealthy San Francisco heiress Myra Hudson, a successful playwright who meets Lester Blaine (Jack Palance) while casting her new play in New York. They meet again on the train ride back, fall in love and marry. Unknown to Myra, Lester is seeing mistress Irene Neves (Gloria Grahame), whom he still loves and has married only for her money. While looking through her study, Irene and Lester learn that Myra has made a will leaving only $10,000 a year to Lester (though if he

Unrated,

Mystery & Suspense, Drama

Lenore J. Coffee, Edna Sherry

Oct 12, 1999

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Latest News on Sudden Fear

November 10, 2006:
One-Armed Push-ups All Around in Honor of Jack Palance
Jack Palance, who made a career out of bullying good guys and portraying stern, craggy-faced...

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All Critics (10) | Top Critics (4) | Fresh (6) | Rotten (0) | DVD (2)

Joan Crawford won her third and last Oscar nomination for this well executed noir thriller, featuring Jack Palance in a scary performance.

July 23, 2012 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Joan Crawford is great in this noir thriller.

April 6, 2008
ColeSmithey.com

The suspense is marred by plot devices that don't hold up to further scrutiny.

February 11, 2005 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

Audience Reviews for Sudden Fear

crazy crawford vehicle that verges on camp at times but hang in there for the explosive climax!! also featuring sleazy jack palance and gloria grahame. good stuff
November 8, 2012
rubystevens
Stella Dallas

Super Reviewer

"Sudden Fear" is not much more than an ordinary thriller, but it is directed and acted so perfectly that it is uniquely gripping and satisfying. Its stars, Joan Crawford and an alarmingly young and studly Jack Palance, both won Oscar nominations for their work in the film. Not many thrillers can say that. Director David Miller may have had a lackluster career overall, but he was in top form here.

Crawford plays a highly successful playwright, Palance a struggling actor trying to get a part in one of her plays. The two eventually fall in love, marry, and move to her native San Francisco, despite a fairly significant age difference.

The movie plays like a delightful love story until a shocking turning point morphs it suddenly into a film noir. I won't reveal the details and ruin the surprise. I'll just say that you'll be on the edge of your seat every minute, and the emotional shock that Crawford's character undergoes you will feel deeply.
March 18, 2012
Bill D 2007
William Dunmyer

Super Reviewer

poetic justice is a common term in ancient greek drama as ""virtue is ultimately rewarded or vice punished, often in modern literature by an ironic twist of fate intimately related to the character's own conduct."" (wikipedia). vintage noir pictures, under he surveillance of morality code, are also required to have the villain punished in the end despite its skeptism toward the decarmation of the good and evil within human nature. when it comes to joan crawford's "sudden fear", POETIC IRONY would be the term i consider apt for its spirit.

a broadway female playwright (joan crawford) fires an actor on stage, who is casted as the lead in her newly written play because she considers him somehow insincere, and too slick for the romantic hero of his play. ironically, later she falls head over heels in love with the actor she fires when she bumps into him on the train. thus he becomes the love of her life, her lawful husband. the man even swoons her over his feet by lyrically reciting the quotes of her play.BUT unexpectedly she discovers that he schemes to murder her to get her inheritance because her recording phonograph accidentally tracks down his private conversation with another woman, and the heart-aching truth is that he never loves her for one second! (it's like, if you could discern immediately that this man is dubiously sleek for the drama-play but in real life, you're gullible enough to be tricked by the same routine without ruminative second thought!)

but, dismayed as she is, she carelessly ruins the only evidence to prove his murder-scheme against her. therefore, she has to do some precautionary acts for survival and also to entrap this pair of cuckolds into the righteous course of poetic justice...as for what she will do, that's the most fascinating part of the movie as crawford performs the ultimate fury conflicted by her self-contradictive conscience.

"sudden fear" also has some perverse forms of sexuality rendered thru sadomascohistic inneundos between the interactions of jack palance and gloria grahame who are the adulterers, such as "i love you so much that i could break your bones" (an eerie expression of love, isn't it?)..in one scene, man inflicts some physical violence to the woman by pushing her off to the coach meanwhile threatening her that he would disfigure her face if she reveals his dark secret, but oddly the woman responds cheerfully "thank you, thanks a lot...for still loving me" while igniting a cigarette. (code of sex in the old noir, whenever you see man and woman light off cigarette for each other, that means they're intermingled in sex since noir thrived after the 1934 morality code. sex had to be suggested thru various gimmicks)

one last good picture of joan crawfood in her final comeback in 1950s when film noir was about to be obselete due to the bloody maccarthyism.

crawford is the only actress hard-boiled enough to pull off the position of sap in noir piece. (maybe bette davis could as well, but miss davis' movies turn out to be melodrama much more often than noir)...great pop-freudian-ism illustrated by expressionistic cinematographies, such as the sequence of crawford having nightmares about her husband trying various brutal ways to kill her off....isn't it great? when the world is artfully presented in the dichotomy of black and white, when the talented elites still give a shit to psychoanalysis and glorifies it thru various forms of avant-garde craftsmanship like noir for one example. that was before noir became a nostalgic product for blank parody and immitations...
July 3, 2011
dietmountaindew
Veronique Kwak

Super Reviewer

I really want to see this movie again, I can't remember why I liked it so much!
November 7, 2010
ajv2688

Super Reviewer

    1. Myra Hudson: I was just wondering what I've done to deserve you.
    – Submitted by Wellington O (22 months ago)
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Foreign Titles

  • Sudden Fear (1952) (DE)
  • Sudden Fear (1952) (UK)
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