The Sugar Curtain (El Telon de azucar) (2007)

The Sugar Curtain (El Telon de azucar)

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Movie Info

Documentarist Camila Guzmán Urzúa - the daughter of director Patricio Guzmán - came of age in Cuba during the 70s and 80s - a period not long after the 1959 Castro revolution. Historians often refer to this period as the country's 'Golden Years' - a phrase reflected by Urzúa's experience, for she, her family, and her friends indeed grew up in unbridled luxury and happiness. Now, in 2005 - fifteen years after emigrating off of the island - Urzúa returns to her native Cuban soil, camera in hand, … More

Rating: Unrated
Genre: Documentary, Special Interest
Directed By:
Written By: Camila Guzmán Urzúa
In Theaters:
Runtime:
Paraïso Productions

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Critic Reviews for The Sugar Curtain (El Telon de azucar)

All Critics (11) | Top Critics (6)

Steeped in a profound melancholy, disillusionment and deep love of country, The Sugar Curtain is a wistful ode to a Cuba that, like Santa Claus and the Tooth Fairy, existed only in the imagination.

January 30, 2009
Miami Herald
Top Critic

The filmmaker's bittersweet reflections on her own former idealism form the philosophical heart of the film, which is less judgmental than simply sorrowful in its nostalgia for a lost society.

August 15, 2007
Hollywood Reporter
Top Critic

Although the film fails to reveal anything new about the country's current crisis or the Cuban diaspora, it's a bittersweet tribute to what could have been.

Full Review… | July 26, 2007
Time Out
Top Critic

The Sugar Curtain is a pensive valentine to literacy programs and childhood idealism left in the ashes of broken families and an economically bifurcated society.

July 25, 2007
New York Times
Top Critic

Guzmán Urzúa understands that to be Cuban is to be conflicted.

Full Review… | July 24, 2007
Village Voice
Top Critic

The even-handed film is sympathetic to the Cuban revolution in its initial stages, then slowly swings around to reveal the 'skeleton of a dream' that the society has become.

Full Review… | October 14, 2006
Variety
Top Critic

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