Has exquisite cinematography and an initially intriguing plot, but that doesn't compensate for its bland and meandering screenplay that lacks palpable dramatic tension and fails to bring any of its characters to life.
Summer Hours (2009)
Tomatometer
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Reviews Counted:78
Fresh:72
Rotten:6
Average Rating:7.7/10
Consensus: Olivier Assayas' contemplative family drama handles lofty ideas about art and culture with elegance and lightness.
Theatrical Release:May 15, 2009 Limited
Box Office: $1,566,427
Synopsis: French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene... French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene (Edith Scob) has just turned 75 and is increasingly concerned about the particulars of leaving her estate behind when she dies. Unfortunately, the time comes when Adrienne (Juliette Binoche), Jeremie (Jeremie Renier), and Frederic (Charles Berling) must decide what to do with Helene's house and the artwork left behind by her famous uncle. Adrienne, who is living in New York City, and Jeremie, who is working in Asia, both understand that their future no longer resides in France, leaving the burden to Frederic. However, even when the siblings are at odds, they don't succumb to fighting. They seem to understand and accept that this is an unfortunate, muddled situation, and as much as they'd love to hold on to the house, it appears that their current situations carry more of an influence than the lives of their nostalgic past. With SUMMER HOURS, Assayas has delivered an understated motion picture about the importance of objects as historical artifacts and family heirlooms, and how time renders these objects obsolete. Contrary to the dysfunctional family dramas of fellow countryman Arnaud Desplechin (A CHRISTMAS TALE, KINGS AND QUEEN), Assayas keeps his characters calm and stable throughout. He isn't condemning these individuals for turning their backs on the past, and he certainly isn't out to belittle the importance of these objects' places in history. Shot by the acclaimed Eric Gautier and flawlessly acted by its principal cast, SUMMER HOURS is a touching, thoughtful drama. [More]
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob, Dominique Reymond, Valérie Bonneton, Isabelle Sadoyan, Kyle Eastwood
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Marin Karmitz, Nathanael Karmitz, Charles Gillibert
Studio: `
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Reviews for Summer Hours
The actors all find the correct notes. It is a French film, and so they are allowed to be adult and intelligent.
In the end, Assayas, shooting the film with relaxed, flowing camera movements, gives his love not to beautiful objects but to the disorderly life out of which art is made.
The texture and flow of Summer Hours, the supple quality of the acting, the fluid camerawork isolating this or that observer while life flows on and domestic crises ebb and flow -- it all comes together as formidably detailed and easy-breathing cra
You won't find filmmaking more assured, commanding and evocative than that of Summer Hours in its opening scenes.
It is certainly a success, thanks in large part to the lovely performances from the three leads.
A sweet pearl of a French film, Summer Hours may work as a perfect antidote for those seeking refuge from the summer blockbuster season.
As dramatically uneventful as these passages are, there's a kind of beautiful truth in them.
Summer Hours, in spite of its potentially dowdy subject matter, is packed nearly to bursting with rich meaning and deep implication.
It's all very civil and inexorable--unlike a stateside version; we know there will be no last-minute car wash or concert fundraiser to save the estate.
The cast is outstanding; the three siblings, played by Berling, Binoche and Renier, deliver an ensemble performance of great complexity, yet with clearly defined characters.
Exploring the different facets of an extended family's inheritance, Olivier Assayas' film is beautifully observed and finely nuanced - but its relative slightness suggests that less need not always end up being more.
For André Téchiné and Patrice Chéreau, who have specialized in probing/expansive family melodramas, Summer Hours would be a trifle. For Olivier Assayas, its almost a masterpiece.
Assayas has made a masterpiece with the restrained strokes of a contemplative and intelligent artist.
A perfectly, magnificently sad film that dwells on the ravages of time while simultaneously celebrating rebirth.
It's a quiet but heartfelt film that has a lot to say about the allure of the past and the inevitability of change.
Assayas' film has more than a few lofty questions concerning art, nostalgia, and the national culture but he understands that ultimately history and culture are far more personal than one can imagine
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