As delicate, even effervescent, as any story about the dissolution of family ties could possibly be.
Summer Hours (2009)
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Reviews Counted:82
Fresh:76
Rotten:6
Average Rating:7.7/10
Consensus: Olivier Assayas' contemplative family drama handles lofty ideas about art and culture with elegance and lightness.
Theatrical Release:May 15, 2009 Limited
Box Office: $1,566,427
Synopsis: French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene... French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene (Edith Scob) has just turned 75 and is increasingly concerned about the particulars of leaving her estate behind when she dies. Unfortunately, the time comes when Adrienne (Juliette Binoche), Jeremie (Jeremie Renier), and Frederic (Charles Berling) must decide what to do with Helene's house and the artwork left behind by her famous uncle. Adrienne, who is living in New York City, and Jeremie, who is working in Asia, both understand that their future no longer resides in France, leaving the burden to Frederic. However, even when the siblings are at odds, they don't succumb to fighting. They seem to understand and accept that this is an unfortunate, muddled situation, and as much as they'd love to hold on to the house, it appears that their current situations carry more of an influence than the lives of their nostalgic past. With SUMMER HOURS, Assayas has delivered an understated motion picture about the importance of objects as historical artifacts and family heirlooms, and how time renders these objects obsolete. Contrary to the dysfunctional family dramas of fellow countryman Arnaud Desplechin (A CHRISTMAS TALE, KINGS AND QUEEN), Assayas keeps his characters calm and stable throughout. He isn't condemning these individuals for turning their backs on the past, and he certainly isn't out to belittle the importance of these objects' places in history. Shot by the acclaimed Eric Gautier and flawlessly acted by its principal cast, SUMMER HOURS is a touching, thoughtful drama. [More]
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob, Dominique Reymond, Valérie Bonneton, Isabelle Sadoyan, Kyle Eastwood
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Marin Karmitz, Nathanael Karmitz, Charles Gillibert
Studio: `
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Reviews for Summer Hours
Berling, Binoche and Renier all play off each other effortlessly, and Summer Hours makes you feel comfortable spending time with their family, too.
Maybe this beautiful film will be too slight for many, but it's certainly one of the better French films of the last year.
Summer Hours drags in the middle, but its final scene is almost overpoweringly tender and beautiful, offering a hopeful rejoinder to all the prior scenes of family members shedding their shared legacy.
As dramatically uneventful as these passages are, there's a kind of beautiful truth in them.
Assayas presents a contemplative etude on the passage of time and the markings of material and spiritual loss.
A perfectly, magnificently sad film that dwells on the ravages of time while simultaneously celebrating rebirth.
Exploring the different facets of an extended family's inheritance, Olivier Assayas' film is beautifully observed and finely nuanced - but its relative slightness suggests that less need not always end up being more.
One realizes the real dramatic conflict is between the past, which must be honored, and the present, which must be lived.
The actors all find the correct notes. It is a French film, and so they are allowed to be adult and intelligent.
The texture and flow of Summer Hours, the supple quality of the acting, the fluid camerawork isolating this or that observer while life flows on and domestic crises ebb and flow -- it all comes together as formidably detailed and easy-breathing cra
This is a movie that, for all its once-over-lightliness, stays with one. Given what it's about, and the intelligence of its makers, how could it not?
Echoes of so many other great Binoche movies: The haunted quality of Blue, the meditative tone of Flight of the Red Balloon, even the celebratory mood of Dan in Real Life.
Surprisingly wonderful, as if Assayas finally found a space in which to stretch out.
A quietly observed Chekhovian drama about the effects of globalization on a French family.
Introduces everyday characters, presents them with a set of everyday concerns and lends the decisions they make a gravitas that even they don't quite understand.
Assayas has made a masterpiece with the restrained strokes of a contemplative and intelligent artist.
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|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
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