As brightly alive a movie as the season will offer.
Summer Hours (2009)
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Reviews Counted:82
Fresh:76
Rotten:6
Average Rating:7.7/10
Consensus: Olivier Assayas' contemplative family drama handles lofty ideas about art and culture with elegance and lightness.
Theatrical Release:May 15, 2009 Limited
Box Office: $1,566,427
Synopsis: French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene... French director Olivier Assayas (BOARDING GATE, IRMA VEP) subverts expectations with this empathetic drama about the fading relevance of objects as generations pass from one to the next. Helene (Edith Scob) has just turned 75 and is increasingly concerned about the particulars of leaving her estate behind when she dies. Unfortunately, the time comes when Adrienne (Juliette Binoche), Jeremie (Jeremie Renier), and Frederic (Charles Berling) must decide what to do with Helene's house and the artwork left behind by her famous uncle. Adrienne, who is living in New York City, and Jeremie, who is working in Asia, both understand that their future no longer resides in France, leaving the burden to Frederic. However, even when the siblings are at odds, they don't succumb to fighting. They seem to understand and accept that this is an unfortunate, muddled situation, and as much as they'd love to hold on to the house, it appears that their current situations carry more of an influence than the lives of their nostalgic past. With SUMMER HOURS, Assayas has delivered an understated motion picture about the importance of objects as historical artifacts and family heirlooms, and how time renders these objects obsolete. Contrary to the dysfunctional family dramas of fellow countryman Arnaud Desplechin (A CHRISTMAS TALE, KINGS AND QUEEN), Assayas keeps his characters calm and stable throughout. He isn't condemning these individuals for turning their backs on the past, and he certainly isn't out to belittle the importance of these objects' places in history. Shot by the acclaimed Eric Gautier and flawlessly acted by its principal cast, SUMMER HOURS is a touching, thoughtful drama. [More]
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob
Starring: Juliette Binoche, Charles Berling, Jérémie Rénier, Edith Scob, Dominique Reymond, Valérie Bonneton, Isabelle Sadoyan, Kyle Eastwood
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Marin Karmitz, Nathanael Karmitz, Charles Gillibert
Studio: `
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Reviews for Summer Hours
For André Téchiné and Patrice Chéreau, who have specialized in probing/expansive family melodramas, Summer Hours would be a trifle. For Olivier Assayas, it’s almost a masterpiece.
Too chatty to be ascetic, Summer Hours is nevertheless almost Ozu-like in its evocation of a parent's death and the dissolving bond between the surviving children.
Hats off to Olivier Assayas’s plain yet hauntingly beautiful Summer Hours, a true -- albeit nonsecular -- meditation on art and eternal life.
...an astute study of intra sibling relationships magnified by inheritance issues and the globalization of modern life.
A brilliantly acted and bittersweet Chekhovian drama about family, art, memory, globalization and impermanence.
Anyone who discovers more to this movie than 'much talk and little action' will develop a rapport with the characters. They are reflections of us, and therein lies their ability to compel attention.
Assayas presents a contemplative etude on the passage of time and the markings of material and spiritual loss.
Carefully directed generational drama with deep emotional undercurrents.
A beautifully understated movie about family ties and the sadness and nostalgia that objects can evoke.
Summer Hours is a delicate, provocative film, and for those of us thinking about what we leave the next generation, a timely one.
Summer Hours meanders along as a restrained mood piece, and is quite good and moving in parts, but it's just plain flat in others.
Summer Hours examines sentiment and attachment, but it is an unsentimental work, a film that lets some secrets remain undisturbed and does not insist on confrontation.
Maybe this beautiful film will be too slight for many, but it's certainly one of the better French films of the last year.
A fractured, ultra-naturalistic and detached examination of the significance of memory and the value of objects, explored through the story of three siblings dealing with their mother's death
The cast is outstanding; the three siblings, played by Berling, Binoche and Renier, deliver an ensemble performance of great complexity, yet with clearly defined characters.
I loved every minute involving Isabelle Sadoyan's ...loïse, the old housekeeper, who understands that a vase, irrespective of how beautiful or valuable, is nothing without the flowers that make it a work of art
Introduces everyday characters, presents them with a set of everyday concerns and lends the decisions they make a gravitas that even they don't quite understand.
A quietly observed Chekhovian drama about the effects of globalization on a French family.
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| 90% 90% | The White Ribbon | 12/30 |
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