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Sunshine State (2002)
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Reviews Counted:106
Fresh:85
Rotten:21
Average Rating:7/10
Consensus: Wonderfully acted, but the story and pacing can use a little work.
Rated: PG-13 [See Full Rating] for brief strong language, a sexual reference and thematic elements
Runtime: 2 hrs 21 mins
Genre: Dramas
Theatrical Release:Jun 21, 2002 Limited
Box Office: $2,836,157
Synopsis:
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums....
Welcome to Delorna Beach and the 2nd Annual Buccaneer Days! Take a trip! Take a drive! See Florida Today!
Oceanfront motels. T-shirt shops. Golf courses. Palm trees. Sandy beaches. Condominiums. Man-eating alligators. Indians, pirates, Spanish gold, sea Island plantations. "People don't realize how hard it is to invent a tradition." - Francince Pinckney
Change is coming to Delrona Beach, Florida, assaults on every front. Here's Marly (Edie Falco) running her father's motel and hating every minute of it. Lester and Greg (Miguel Ferrer and Perry Lang) will stop at nothing to buy the motel, and Dad (Ralph Waite) will never sell. Mom (Jane Alexander) is living in her own dream world down at the community theater and off at the Audubon meetings, saving what's left of the natural habitat.
Marly's wasting away in Margaritaville, dodging her ex-husband (Richard Edson), losing her golf pro (Marc Blucas) and tempted by the new guy in town (Timothy Hutton) even though he is definitely working for the other side.
Here's Desiree (Angela Bassett) back for her first real visit home since she left under a cloud 25 years ago. She doesn't trust her mother Eunice (Mary Alice) and won't be drawn into staying in the black enclave of Lincoln Beach, even though family friend Dr Lloyd (Bill Cobbs) works her pretty hard.
Dr. Lloyd is up against it, fighting off the Plantation in the person of promoter Northrup (Sam McMurray) whose battles with the black community go way back. Trophy husband Dr. Reginald Perry (James McDaniel) does his best to fit in, but he's worried about the old boyfriend Flash Phillips (Tom Wright), and nobody's comfortable with the boy Eunice has taken in, young arsonist Terrell (Alex Lewis)
Chamber of Commerce stalwart Francine Pinckney (Mary Steenburgen) keeps a smile on her face and pom poms high, championing Buccaneer Days through its course. She's too busy to see much of banker husband Earl (Gordon Clapp) whose gambling debts are giving him problems of his own.
Real people. Real places. Welcome to Florida. -- © Sony Pictures Classics
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite
Starring: Edie Falco, Angela Bassett, Jane Alexander, Ralph Waite, James McDaniel, Mary Alice, Bill Cobbs, Gordon Clapp, Mary Steenburgen, Timothy Hutton, Tom Wright, Marc Blucas, Alexander Lewis, McMurray, Perry Lang, Miguel Ferrer, Charlayne Woodard, Clifton James, Cullen Douglas, Alan King, Richard Edson, Michael Greyeyes
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Maggie Renzi
Composer: Mason Daring
Studio: Sony Pictures Classics
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Reviews for Sunshine State
Sayles has always been a master at honest emotion. Fittingly, Sunshine State is a bright spot in his career.
Leave it to John Sayles to take on developers, the Chamber of Commerce, tourism, historical pageants, and commercialism all in the same movie . . . without neglecting character development for even one minute.
Edie Falco and Angela Bassett shine...a good, often funny film from Sayles.
John Sayles turns his sardonic gaze towards Florida in the latest from the country's number one independent filmmaker.
Exquisitely acted and masterfully if preciously interwoven… [the film] addresses in a fascinating, intelligent manner the intermingling of race, politics and local commerce.
Sunshine State certainly ranks as one of the director's richest, most satisfying films.
Could have been much more than good, if only it didn’t seem so unfocused, and so many characters didn’t seem insufficiently explored.
Sayles and an excellent cast examine modern American lives, values, dreams and shortcomings with verve, honesty and a respect for the seemingly lost art of everyday conversation.
...as good as all the performances are, they just can't make up for the fact that it's just too darn long.
It is an indelible epic American story about two families, one black and one white, facing change in both their inner and outer lives.
You can ignore the editorial bluntness and savor the smaller, sweeter details.
Successful as a simple series of intimate moments and vivid performances.
Sayles continues exactly where Faulkner left off, tackling the institutionalized racism that seethes in the New South.
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