Supercop (Police Story 3) (Ging chaat goo si 3: Chiu kap ging chaat) (1992)
Average Rating: 7.3/10
Reviews Counted: 40
Fresh: 38 | Rotten: 2
Blending hand-to-hand combat with breathtaking stunts and slapstick comedy, Supercop reminds us why Jackie Chan is one of the world's great entertainers.
Average Rating: 6.8/10
Critic Reviews: 11
Fresh: 10 | Rotten: 1
Blending hand-to-hand combat with breathtaking stunts and slapstick comedy, Supercop reminds us why Jackie Chan is one of the world's great entertainers.
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Average Rating: 3.4/5
User Ratings: 25,548
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Movie Info
A Hong Kong detective fights to stop a Chinese drug czar.
Jul 4, 1992 Wide
Jan 13, 2009
Miramax
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All Critics (40) | Top Critics (11) | Fresh (38) | Rotten (3) | DVD (5)
The most powerful starring role for a woman this summer? My vote goes to Michelle Khan in this garish, frenetic, and funny chopper from Rumble in the Bronx director Stanley Tong.
All this is executed with a good deal of panache, if not originality, by stunt coordinator Stanley Tong.
With martial arts superstar Jackie Chan, older may be better.
Supercop is a chance to get a full-strength blast of Chan.
Jackie Chan makes his second leap at the American movie audience, following up Rumble in the Bronx with a far sharper mix of stunts, martial arts and Chan's own brand of breathtaking slapstick comedy.
Supercop is a better movie than Rumble in the Bronx, in large part because it's funnier.
The final half-hour makes it all worthwhile, and what makes Chan's work continually astonishing is that the actor does all his own stunts.
It's not my favorite Jackie Chan film, but it's still a good one.
It's a blast to watch the action sequences, which offer more than just hand-to-hand martial arts.
Supercop isn't art, but it sure is great junk food.
Chan's daredevil persona creates a fun but never graphically violent action movie. [published 7-26-96]
Don't go into this film expecting a lot of deep meaning or heavy emotions, but if you like action films you will be entertained.
One of Chan's best. The fantastic Michelle Khan upstages him beautifully.
Few will argue that this is one of Chan's best films; I say it's the best.
Supercop is punctuated with action sequences not even the Bond films can touch.
The plot is nothing more than an excuse for the series of spectacular action sequences in which Chan shows both his physical skills and great sense of humour.
A muddy script structure and some very weak attempts at comedy hamper the flow of the film...
Capable female action stars are a non-entity in Hollywood, but Khan packs a wallop both literally and in her screen presence.
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