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Sweet Sixteen (2003)
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Reviews Counted:82
Fresh:80
Rotten:2
Average Rating:7.9/10
Consensus: A bleak, but heartbreaking coming-of-age tale that resonates with truth.
Rated: R [See Full Rating] for pervasive strong language, drug content and some violence
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:May 16, 2003 Limited
Box Office: $201,010
Synopsis: In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only... In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only Jean's abusive boyfriend Stan, and her hateful father for guidance, Liam sets out on his own in hopes of having a fresh start waiting for his mother when she gets out. Deciding to buy a cottage near the river where he, his mother, and his sister, Chantelle (Annmarie Fulton) can live--Liam needs a way to make money as quickly as possible. He steals a stash of heroin from Stan, for him and his loose-cannon best friend, Pinball, to sell on the street--but it turns out that they're infringing on the territory of Tony (Martin McCardie), a local gangster. But Tony, admiring Liam's entrepreneurial spirit, takes Liam in as part of his gang and gives him the chance to increase his earnings exponentially. Echoing his 1969 classic, KES, SWEET SIXTEEN sees British film veteran Ken Loach once again combining the coming-of-age film with the type of social realism for which he has become known. Casting mostly non-actors, including extremely talented lead Martin Compston, the film successfully generates the thrills one expects from the best youth culture films, but has an edge of gritty realism that one never sees in Hollywood fare. Capturing a true imprint of contemporary UK teenhood--including cell phones, drugs, hip-hop style, "joyriding," and an abundance of four-letter words, screenwriter Paul Laverty's script rings true, making us care about characters who do foolish things because they exist in a society with few other options. [More]
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Gary McCormack, Tom McKee, Robert Rennie, Martin McCardie
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien, Ulrich Felsberg, Gerardo Herrer
Composer: George Fenton
Studio: Lions Gate Films
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Reviews for Sweet Sixteen
Compston, in his first role, is riveting because of the sense of authenticity and hopelessness he brings to the part.
[A] working class tragedy of mythic proportions, bristling with the inchoate rage of an underclass that . . . wouldn't know how to look up even if it knew that it could
Mr. Loach once again reaffirms his honored position as one of the world's most passionate and compassionate filmmakers.
Under Loach's deft hand, it feels indisputably real ... An undeniable downer, but hellaciously well acted, brimming with compassion, and relevant in a way that doesn't chafe.
At once a well spun story, a poignant and moving character study, and an indictment of contemporary society's indifference to the plight of the underprivileged.
The mission they undertook long ago -- the director once said it is 'to clarify the lives of ordinary people' -- has never seemed clearer, and the unpleasant realities they uncover here strike us with blunt force.
Using mostly unknown and first-time actors, Loach spins a passable coming-of-age tale, which should please his fans and provides a diversion for the rest of us.
Employing, as he's sometimes done in the past, a cast of mostly first-time film actors, Loach here whips up a sad but deeply engrossing tale of an adolescent Scottish lad's determination to salvage his unsavable family.
Bursting with the kind of street energy that many films promise and few deliver.
From its gripping immediacy to its strong cast of unknowns, Sweet Sixteen feels almost like a documentary. Loach and screenwriter Paul Laverty keep an evenhanded focus on harsh truths, and avoid melodrama and grandstanding.
Ideology is manifested as empathy, rather than polemic, and the result is a lean, powerful little film that's more about people than politics.
Another fine Loach film that refuses to sentimentalize the plight of the poor and disenfranchised. Compston is a real find.
Sweet Sixteen is a wonderfully bittersweet effort, and one of Loach’s best works.
Loach and frequent writing partner Paul Laverty are not greatly growing here, but once again their integrity is sterling.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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