A grim and gripping story.
Sweet Sixteen (2003)
Tomatometer
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Reviews Counted:82
Fresh:80
Rotten:2
Average Rating:7.9/10
Consensus: A bleak, but heartbreaking coming-of-age tale that resonates with truth.
Rated: R [See Full Rating] for pervasive strong language, drug content and some violence
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:May 16, 2003 Limited
Box Office: $201,010
Synopsis: In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only... In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only Jean's abusive boyfriend Stan, and her hateful father for guidance, Liam sets out on his own in hopes of having a fresh start waiting for his mother when she gets out. Deciding to buy a cottage near the river where he, his mother, and his sister, Chantelle (Annmarie Fulton) can live--Liam needs a way to make money as quickly as possible. He steals a stash of heroin from Stan, for him and his loose-cannon best friend, Pinball, to sell on the street--but it turns out that they're infringing on the territory of Tony (Martin McCardie), a local gangster. But Tony, admiring Liam's entrepreneurial spirit, takes Liam in as part of his gang and gives him the chance to increase his earnings exponentially. Echoing his 1969 classic, KES, SWEET SIXTEEN sees British film veteran Ken Loach once again combining the coming-of-age film with the type of social realism for which he has become known. Casting mostly non-actors, including extremely talented lead Martin Compston, the film successfully generates the thrills one expects from the best youth culture films, but has an edge of gritty realism that one never sees in Hollywood fare. Capturing a true imprint of contemporary UK teenhood--including cell phones, drugs, hip-hop style, "joyriding," and an abundance of four-letter words, screenwriter Paul Laverty's script rings true, making us care about characters who do foolish things because they exist in a society with few other options. [More]
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Gary McCormack, Tom McKee, Robert Rennie, Martin McCardie
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien, Ulrich Felsberg, Gerardo Herrer
Composer: George Fenton
Studio: Lions Gate Films
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Reviews for Sweet Sixteen
The casting is impeccable, the dialogue raw and the impenetrable Glaswegian brogue is wisely translated with English subtitles.
Loach and frequent writing partner Paul Laverty are not greatly growing here, but once again their integrity is sterling.
Resembles classics like Hawks' Scarface, Walsh's White Heat, and any of a handful of James Cagney or Edward G. Robinson gangster films.
Mixes the bitter with the sweet and stays in the mind because it refuses to succumb to the cynicism that surrounds its protagonist.
[A] working class tragedy of mythic proportions, bristling with the inchoate rage of an underclass that . . . wouldn't know how to look up even if it knew that it could
Compston's performance and the downer milieu, presented with appropriate paint-peeling profanity, are more than enough to keep an audience riveted and ultimately moved close to tears.
Despite the title, "Sweet Sixteen" is a more bitter than sweet tale of a 16-year-old boy trying to find happiness and stability in his home life -- even if the cost for it is more than he can afford.
There's a raw, uncensored power here -- in the film in general and in newcomer Compston in particular.
At once a well spun story, a poignant and moving character study, and an indictment of contemporary society's indifference to the plight of the underprivileged.
Employing, as he's sometimes done in the past, a cast of mostly first-time film actors, Loach here whips up a sad but deeply engrossing tale of an adolescent Scottish lad's determination to salvage his unsavable family.
Confident, uncompromising and blisteringly realistic, Sweet Sixteen is a gritty and immediate film yet it goes right to the emotions.
Loach may be best known for staunchly political films like Bread and Roses, but in many ways Sweet Sixteen is a throwback to his other pictures, grittier slice-of- life films like My Name Is Joe.
It has a humane grasp of the pleasures kids create even under hellish conditions and of their adaptive capacity to craft a life out of the materials available.
. . . a dark, heart-wrenching masterpiece from British director Ken Loach . . .
Sweet Sixteen is a gritty film directed by Ken Loach about the spiritual dynamics of hope in the life of a resourceful and brave teenager living in poverty in Glasgow, Scotland.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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