Mr. Loach once again reaffirms his honored position as one of the world's most passionate and compassionate filmmakers.
Sweet Sixteen (2003)
Tomatometer
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Reviews Counted:82
Fresh:80
Rotten:2
Average Rating:7.9/10
Consensus: A bleak, but heartbreaking coming-of-age tale that resonates with truth.
Rated: R [See Full Rating] for pervasive strong language, drug content and some violence
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:May 16, 2003 Limited
Box Office: $201,010
Synopsis: In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only... In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only Jean's abusive boyfriend Stan, and her hateful father for guidance, Liam sets out on his own in hopes of having a fresh start waiting for his mother when she gets out. Deciding to buy a cottage near the river where he, his mother, and his sister, Chantelle (Annmarie Fulton) can live--Liam needs a way to make money as quickly as possible. He steals a stash of heroin from Stan, for him and his loose-cannon best friend, Pinball, to sell on the street--but it turns out that they're infringing on the territory of Tony (Martin McCardie), a local gangster. But Tony, admiring Liam's entrepreneurial spirit, takes Liam in as part of his gang and gives him the chance to increase his earnings exponentially. Echoing his 1969 classic, KES, SWEET SIXTEEN sees British film veteran Ken Loach once again combining the coming-of-age film with the type of social realism for which he has become known. Casting mostly non-actors, including extremely talented lead Martin Compston, the film successfully generates the thrills one expects from the best youth culture films, but has an edge of gritty realism that one never sees in Hollywood fare. Capturing a true imprint of contemporary UK teenhood--including cell phones, drugs, hip-hop style, "joyriding," and an abundance of four-letter words, screenwriter Paul Laverty's script rings true, making us care about characters who do foolish things because they exist in a society with few other options. [More]
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane
Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Gary McCormack, Tom McKee, Robert Rennie, Martin McCardie
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien, Ulrich Felsberg, Gerardo Herrer
Composer: George Fenton
Studio: Lions Gate Films
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Reviews for Sweet Sixteen
It's impossible to tell the experienced from the inexperienced among Loach's casts.
Compston, in his first role, is riveting because of the sense of authenticity and hopelessness he brings to the part.
Mr. Compston's untamed star power gives the movie a heart, a sweetness that makes the title heartfelt and not just cheaply ironic.
Loach's film is an enormously sympathetic conflation of two pet themes: the effect of grinding poverty on the ever weakening working class and his nation's all-too vulnerable youth.
Loach has made more memorable films, such as Raining Stones and Ladybird Ladybird, but his dramatic sense remains strong and his social conscience is absolutely unstoppable.
Yes, this is a political movie (at least it has a political viewpoint), but, more than that, it's a character study of an individual who will not easily be forgotten.
Loach's latest adheres so closely to his long-established narrative pattern -- overdetermined case study crowned with a morbid jolt -- that viewers might underestimate its wit, empathy, and careful characterizations.
Bursting with the kind of street energy that many films promise and few deliver.
While Larry Clark sensationalizes the plight of children, British neo-realist Ken Loach merely presents. His portraits of the working class don’t condescend to the struggles and determinations of working class life.
The film boasts sensational naturalistic performances and a raw edge that is undeniable. I don’t think I can tell you that it’s entertaining. It draws blood.
An uncompromising look at life, with all its questionable triumphs and irreversible consequences, performed by a cast that is virtually untrained and entirely genuine, with a fully engaging performance by Martin Compston.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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