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Movies / On DVD / Sweet Sixteen
Sweet Sixteen

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Sweet Sixteen (2003)

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Reviews Counted:82

Fresh:80

Rotten:2

Average Rating:7.9/10

Consensus: A bleak, but heartbreaking coming-of-age tale that resonates with truth.

Rated: R [See Full Rating] for pervasive strong language, drug content and some violence

Runtime: 1 hr 46 mins

Genre: Dramas

Theatrical Release:May 16, 2003 Limited

Box Office: $201,010

Synopsis: In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only... In the depressed Scottish town of Greenock, 15-year-old Liam (Martin Compston) anxiously awaits the release of his mother, Jean (Michelle Coulter), from prison. Kicked out of school, with only Jean's abusive boyfriend Stan, and her hateful father for guidance, Liam sets out on his own in hopes of having a fresh start waiting for his mother when she gets out. Deciding to buy a cottage near the river where he, his mother, and his sister, Chantelle (Annmarie Fulton) can live--Liam needs a way to make money as quickly as possible. He steals a stash of heroin from Stan, for him and his loose-cannon best friend, Pinball, to sell on the street--but it turns out that they're infringing on the territory of Tony (Martin McCardie), a local gangster. But Tony, admiring Liam's entrepreneurial spirit, takes Liam in as part of his gang and gives him the chance to increase his earnings exponentially. Echoing his 1969 classic, KES, SWEET SIXTEEN sees British film veteran Ken Loach once again combining the coming-of-age film with the type of social realism for which he has become known. Casting mostly non-actors, including extremely talented lead Martin Compston, the film successfully generates the thrills one expects from the best youth culture films, but has an edge of gritty realism that one never sees in Hollywood fare. Capturing a true imprint of contemporary UK teenhood--including cell phones, drugs, hip-hop style, "joyriding," and an abundance of four-letter words, screenwriter Paul Laverty's script rings true, making us care about characters who do foolish things because they exist in a society with few other options. [More]

Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane

Starring: Martin Compston, Michelle Coulter, Annmarie Fulton, William Ruane, Gary McCormack, Tom McKee, Robert Rennie, Martin McCardie

Director: Ken Loach

Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien, Ulrich Felsberg, Gerardo Herrer
Composer: George Fenton
Studio: Lions Gate Films

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Release:

Oct 7, 2003

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Reviews for Sweet Sixteen

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61 - 80 (sorted by date)
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Mr. Loach once again reaffirms his honored position as one of the world's most passionate and compassionate filmmakers.

Full Review Source: New York Observer | comment Comment
05/16/03
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

It's impossible to tell the experienced from the inexperienced among Loach's casts.

Full Review Source: New York Daily News | comment Comment
05/16/03
Jack Mathews
Jack Mathews
New York Daily News
Top Critic Icon Top Critic

Compston, in his first role, is riveting because of the sense of authenticity and hopelessness he brings to the part.

Full Review Source: E! Online | comment Comment
05/16/03
E! Online

Mr. Compston's untamed star power gives the movie a heart, a sweetness that makes the title heartfelt and not just cheaply ironic.

Full Review Source: New York Times | comment Comment
05/16/03
Elvis Mitchell
Elvis Mitchell
New York Times
Top Critic Icon Top Critic

Ken Loach's most effective film since My Name Is Joe.

Full Review Source: New York Post | comment Comment
05/16/03
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

[Loach] allows us to look into lives we would otherwise ignore.

Full Review Source: Detroit Free Press | comment Comment
05/16/03
Terry Lawson
Terry Lawson
Detroit Free Press
Top Critic Icon Top Critic

Loach's film is an enormously sympathetic conflation of two pet themes: the effect of grinding poverty on the ever weakening working class and his nation's all-too vulnerable youth.

Full Review Source: TV Guide's Movie Guide | comment Comment
05/15/03
Ken Fox
Ken Fox
TV Guide's Movie Guide

One more feather in the proudly proletarian cap of Ken Loach.

Full Review Source: Newsday | comment Comment
05/15/03
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

Loach has made more memorable films, such as Raining Stones and Ladybird Ladybird, but his dramatic sense remains strong and his social conscience is absolutely unstoppable.

Full Review Source: Christian Science Monitor | comment Comment
05/15/03
David Sterritt
David Sterritt
Christian Science Monitor

A story of particularly streamlined, eloquent despair.

Full Review Source: Entertainment Weekly | comment Comment
05/14/03
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

Yes, this is a political movie (at least it has a political viewpoint), but, more than that, it's a character study of an individual who will not easily be forgotten.

Full Review Source: ReelViews | comment Comment
05/13/03
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Loach's latest adheres so closely to his long-established narrative pattern -- overdetermined case study crowned with a morbid jolt -- that viewers might underestimate its wit, empathy, and careful characterizations.

Full Review Source: Village Voice | comment Comment
05/13/03
Jessica Winter
Jessica Winter
Village Voice

Bursting with the kind of street energy that many films promise and few deliver.

Full Review Source: Film Journal International | comment Comment
04/26/03
Bruce Feld
Bruce Feld
Film Journal International

While Larry Clark sensationalizes the plight of children, British neo-realist Ken Loach merely presents. His portraits of the working class don’t condescend to the struggles and determinations of working class life.

Full Review Source: Slant Magazine | comment Comment
04/24/03
Jeremiah Kipp
Jeremiah Kipp
Slant Magazine

Click to read the article

Full Review Source: eFilmCritic.com | comment Comment
04/07/03
Greg Muskewitz
Greg Muskewitz
eFilmCritic.com
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
04/04/03
Sydney Morning Herald

The film boasts sensational naturalistic performances and a raw edge that is undeniable. I don’t think I can tell you that it’s entertaining. It draws blood.

Full Review Source: Urban Cinefile | comment Comment
03/21/03
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

An uncompromising look at life, with all its questionable triumphs and irreversible consequences, performed by a cast that is virtually untrained and entirely genuine, with a fully engaging performance by Martin Compston.

Full Review Source: Filmcritic.com | comment Comment
02/24/03
Jules Brenner
Jules Brenner
Filmcritic.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
01/18/03
Boston Phoenix

This film resonates with truth and feeling without ever preaching.

Full Review Source: Film Threat | comment Comment
12/08/02
Rich Cline
Rich Cline
Film Threat
 
 
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