Average Rating: 6.1/10
Reviews Counted: 6
Fresh: 3 | Rotten: 3
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Average Rating: N/A
Critic Reviews: 1
Fresh: 0 | Rotten: 1
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Average Rating: 3.4/5
User Ratings: 3,033
Jean-Luc Godard's Sympathy for the Devil, also known as One Plus One, uses both documentary and staged sequences, alternating between an inside look at a rock band's recording process and reflections on contemporary politics and aesthetics. One half of the film focuses on the Rolling Stones, as they rehearse and ultimately record the song that would become "Sympathy for the Devil." By presenting repeated takes of the entire composition, the film allows the viewer to witness the progressive
Unrated, 1 hr. 50 min.
Documentary, Television, Musical & Performing Arts, Special Interest
Jan 1, 1968 Wide
Oct 21, 2003
All Critics (10) | Top Critics (1) | Fresh (4) | Rotten (3) | DVD (1)
Not only does the use of the song impose a sense of emotional fulfillment upon a conclusion that does not ask for it, but also the use of the song's title for the movie suggests a meaning that is less interesting.
The politics are as muddled as the art is (deliberately?) amateurish.
This was directed by Jean-Luc Godard, so can you really expect another "Live at the Max"?
Godard intercuts the Stones sessions with endless scenes of revolutionaries in the streets. He aims for political context, but he mainly proves that it was the Sixties and nobody had invented the fast-forward button yet.
March 1, 2009Super Reviewer
The director's cut of this is called "One Plus One", which is exactly what it is, footage of the Rolling Stones recording plus footage of Godard's take on 1960's politics. If you are not interested in The Rolling Stones or are an avid Godard fan then I doubt this will be for you. Watching The Stones recording Sympathy
April 6, 2008
Super Reviewer
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