There's nothing here that resembles narrative urgency, but this is a quiet masterpiece, delicate and full of wonder.
Syndromes and A Century (2007)
Tomatometer
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Reviews Counted:40
Fresh:35
Rotten:5
Average Rating:7.4/10
Consensus: Despite having little in the way of narrative, Apichatpong Weerasethakul's Syndromes is a poignant and mesmerizing memoir.
Theatrical Release:Apr 18, 2007 Limited
Synopsis: A soothing melody saturates the moving images of Apichatpong Weerasethakul's newest cinematic invention, Syndromes and a Century. It seems to originate from all corners of the screen and percolates... A soothing melody saturates the moving images of Apichatpong Weerasethakul's newest cinematic invention, Syndromes and a Century. It seems to originate from all corners of the screen and percolates through soft-spoken dialogue, Thai songs, sounds of nature and even silence. A meditation on memories recalled by the filmmaker's parents from the period before they were lovers, the film travels time and space with graceful levity and binds the viewer with the magic spell of an anti-narrative mantra. Exploring a new form of filmmaking, Weerasethakul finds in Syndromes and a Century an unconventional path, leading to the radiant rendering of daily life. Set primarily in two hospitals, the film tells two similar stories from two different periods, mirroring their respective eras' mores. At a small-town hospital, Toa (Nu Nimsomboon) is courting charming Dr. Tei (Nantarat Sawaddikul). Toa is shy and clumsy in declaring his love and Tei's standoffish attitude doesn't help. She is still questioning her feelings for Noom (Sophon Pukanok), an orchid expert she has met at the flower market. At the same hospital, Ple (Arkanae Cherkam), a dentist, is curing, free of charge, the cavities of young monk Sakda (Sakda Kaewbuadee). Through their mutual interest in music - Ple is also a singer and Sakda, before entering the monastery, wanted to be a DJ - they develop a special friendship. The second story is set in a downtown Bangkok hospital. It revolves again around the narrative of Toa's courtship of Dr. Tei, as well as that of military man Dr. Nohng (Jaruchai Iamaram), who visits the physical therapy ward in the hospital's basement. Pearls of wisdom, descriptions of syndromes and fragments of time crystallize in luminous atmospheres and dot the modern architecture of the film, creating a charming, quiet incantation. Ultimately a study of human behaviour, Syndomes and a Century confirms Weerasethakul as one of the brightest and most innovative lights in the contemporary cinema. His ability to envision and prepare for the future perfectly matches the spirit of Mozart's work. -- © Toronto Film Festival [More]
Starring: Nantarat Sawaddikul, Jaruchai Lamaram, Sophon Pukanok, Jenjira Pongpas
Starring: Nantarat Sawaddikul, Jaruchai Lamaram, Sophon Pukanok, Jenjira Pongpas, Arkanae Cherkam, Nu Nimsomboon, Sakda Kaewbuadee
Director: Apichatpong Weerasethakul
Director: Apichatpong Weerasethakul
Screenwriter: Apichatpong Weerasethakul
Producer: Apichatpong Weerasethakul, Charles de Meaux
Studio: Strand Releasing
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Reviews for Syndromes and A Century
The latest daydreamy film from this Thai auteur of languor is fragrant with tender love and sly humor.
You have to abandon any preconceived notions about movies and allow your mind to be seduced by the mystifying, occasionally humorous world of a one-of-a-kind filmmaker. You might even find yourself becoming a fan.
No psychological or sociological interpretation is offered, but the lovely whole that slowly emerges has profundity precisely because of its inclusive reticence.
This film is alive to the small pleasures of watching people interact -- or fail to. Its individual sequences spin along, lovely and mesmerizing, and they're not really all that hard to understand, in and of themselves.
A challenging, invigorating whiff of the magical properties of sensual cinema.
The mysterious Syndromes and a Century welcomes viewers into a world of simplicity and strangeness.
While Syndromes and a Century may not be going anywhere fast, or even slowly, it certainly looks--and more importantly, feels--beautiful getting there.
Are these parallel tales a Buddhist romance? An attempt to induce something like 3-D narrative depth? A consideration of repetitive human activity over the course of a lifetime? You might as well ask why the breeze is rustling the leaves.
An unusually patient and good-natured portrait of rural/urban crossover...of clinical, spiritual, and popular perspectives, of romance and absurdity and barely voiced grief.
A delightfully relaxed and entertaining Thai movie about a country hospital and two doctors who work there.
Apichatpong's patient, observant camera seems to be lying in wait for the moments in which these desires break through the surface, when the spiritual greets the mundane
Sporadically mesmerizing imagery and a miasma-like atmosphere but only fits and starts in the way of plot.
The film functions not only as a loving tribute to the past, but as Weerasethakul's attempt at experiential preservation.
Syndromes and a Century is beguiling and confounding, and I hope to see it again soon: When I do, I suspect I'll understand it even less and yet love it more.
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