No matter how bad you think the worst movie ever made ever was, you have not seen Synecdoche, New York. It sinks to the ultimate bottom of the landfill, and the smell threatens to linger from here to infinity.
Synecdoche, New York (2008)
Tomatometer
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: R [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,971,177
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
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Release:
Mar 10, 2009
Reviews for Synecdoche, New York
Pity those nerds and fashion-sheep who'll waste time trying to connect Kaufman’s symbols, cite the many David Lynch references and puzzle for ways to use 'synecdoche' in daily conversation.
It seems more like an illustration of his script than a full-fledged movie, proving how much he needs a Spike Jonze or a Michel Gondry to realize his surrealistic conceits.
Writer Charlie Kaufman is the pseudo-intellectuals' "intellectual." He's pompous, self-flagellating and pretentious. So they love him. Kaufman makes Sarah Palin seem humble.
I found it bracing, and genuinely in touch with the sweet chaos and ache of life.
A pretentious, witless disaster that largely wastes a great cast; one of the worst films of 2008
It's all crazy enough to work for a while, but the 124 long minutes don't pass soon enough.
To attempt to encapsulate Synecdoche, New York, in a few hundreds words seems a daunting task -- akin, perhaps, to building an entire gymnasium out of wet sand or watching video clips of Ann Coulter without feeling a bit of puke rising up into the
Charlie Kaufman's existential fantasia with the odd name is a weird, tiresome rumination on love, hate and the creative process. Fellini did it far better in '8 1/2' in 1963.
It's the best American film of 2008 to date, and probably of 2007 and 2006 as well.
Kaufman's gift is finding humanity in flotsam, something he does well but hasn't done this beautifully since Eternal Sunshine of the Spotless Mind.
If you want to show a poor player that struts and frets his hour upon the stage, go right ahead, but give that hour all the life you can.
Kaufman does all he can to throw in enough details to confuse the viewer, to the point of headache-inducing irritation.
A burning, smoking house that people mindlessly inhabit in Synecdoche, New York is an apt metaphor for what is wrong with this confounding, massively ambitious film.
The prospect of Kaufman's directorial debut was really exciting -- which makes the lugubrious result that much more disappointing.
To say that Charlie Kaufman's Synecdoche, New York is one of the best films of the year is such a pathetic response to its soaring ambition that I might as well pack it in right now.
sets out to encompass all of what makes us human but only finds room for what makes us unhappy.
As the movie rambles along with its own brand of quasi-magical surrealism, the links to real experience grow scarcer and more frayed.
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