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Synecdoche, New York (2008)
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: R [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,971,177
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
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Release:
Mar 10, 2009
Reviews for Synecdoche, New York
An epic meditation on the meaning of life that feels like it lasts a lifetime.
A nightmare for those who like things served easy -- but if you relish off-the-deep-end bravado, its pleasures are boundless.
A brilliant, gut-wrenching plunge into the painful work of facing the decisions we make and choosing to either continue onward, or live in regret.
Kaufman directs this sprawl of ideas, twisted chronologies and bitter regrets with a tightly disciplined control of the material.
It's the best American film of 2008 to date, and probably of 2007 and 2006 as well.
I was struck by the peculiar magic of this film, even moved by it, once I gave up all attempts to understand it as a straightforward linear narrative.
Kaufman's gift is finding humanity in flotsam, something he does well but hasn't done this beautifully since Eternal Sunshine of the Spotless Mind.
Kaufman's directing debut is as intricate and thought provoking as all his writings, an often surreal, sometimes obtuse and occasionally funny work of great complexity. It's a challenge for audiences, who will no doubt divide into heated camps.
Astonishing. Kaufman has surpassed himself with a film that will delight and confound. You will want to see it again. And again.
Mr. Hoffman is emerging as one of our greatest actors, and he alone makes this film worth seeing.
It's really quite brilliant. But it's also so difficult and so emotionally downbeat that it's hard to characterize it as "entertaining."
in this portrait of an artist as an old man in decline, no amount of reproduction, trickery or fantasy can or ever will suffice to deflect the inevitable end.
If you want a film that is big and true and tough, go see Synecdoche. And then go see it again, because it's so rich with ideas that you can't possibly get them all the first time around.
Charlie Kaufman's latest example of screenplay extrapolation begins with an obscure definitional allusion...and ends in some sort of self-referential apocalypse.
It's a strange trip, to be sure, but a worthwhile one for those willing to take it.
As with nearly all the films Kaufman wrote before this one ... Synecdoche, New York is one heck of a head-trip.
Evident passion and a tremendous amount of thought went into Synecdoche.
The cast of Synecdoche, New York is so pitch-perfect and the concept so original that it could be the best choice for people looking to exercise their brain's this holiday season.
While not uniformly successful, and potentially disastrous for some viewers, Synecdoche, New York is dazzling for its ambition and risk-taking.
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