Writer Charlie Kaufman is the pseudo-intellectuals' "intellectual." He's pompous, self-flagellating and pretentious. So they love him. Kaufman makes Sarah Palin seem humble.
Synecdoche, New York (2008)
Tomatometer
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: R [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,971,177
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
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Release:
Mar 10, 2009
Reviews for Synecdoche, New York
Charlie Kaufman's latest example of screenplay extrapolation begins with an obscure definitional allusion...and ends in some sort of self-referential apocalypse.
It seems more like an illustration of his script than a full-fledged movie, proving how much he needs a Spike Jonze or a Michel Gondry to realize his surrealistic conceits.
...although it has its partisans, this is a bleak and unsatisfying film that has to be considered a failure.
This makes the film interesting in concept but disappointing in execution. And surreal touches added throughout that just do not add up to anything but a film more challenging than rewarding.
You'll walk out of Charlie Kaufman's new movie feeling like a drunk bodybuilder just went bumper bowling with your brain.
While flirting between brilliant and pretentious, Kaufman can't fill the emotional black hole at his movie's core.
To attempt to encapsulate Synecdoche, New York, in a few hundreds words seems a daunting task -- akin, perhaps, to building an entire gymnasium out of wet sand or watching video clips of Ann Coulter without feeling a bit of puke rising up into the
Watching the film is also wearying, like assembling a puzzle from a box into which a sadist continually pours new pieces.
Kaufman has succeeded in portraying an unflinchingly honest and deep examination of the soul of a person without jumping through traditional hoops of this happened here, this happened next.'
Synecdoche, New York is a self-indulgent mope. It’s also a work of genius.
A surreal exploration of art, love and death, it has the Fellini-esque feel of some lost European cinematic masterpiece that reaches far past the normal boundaries of drama and into the very essence of existence.
For about two-thirds of its length, this is an extremely funny if extraordinarily dark comedy... But we begin to measure out the time in teaspoons, and the movie becomes banal and morose.
It is a portrait of disappointment and melancholy, tickled by bits of wit, that defies logic and resists description.
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