Life is so complicatedly humiliating, Kaufman insists, and he’s right. Too bad his insistence is so simple-mindedly aggrandizing.
Synecdoche, New York (2008)
Tomatometer
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: R [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,971,177
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
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Release:
Mar 10, 2009
Reviews for Synecdoche, New York
Charlie Kaufman's dreary, solipsistic attempt at self-therapy inflicted on an unwary audience.
The directorial debut by esteemed writer Charlie Kaufman demands a lasting impression...
Screenwriter Kaufman’s first venture as a director is audacious, ambitious, amazing. It’s also intricate, self-referencing, and all-encompassing.
As the movie rambles along with its own brand of quasi-magical surrealism, the links to real experience grow scarcer and more frayed.
The more you ruminate on Synecdoche, New York, the more resonance you find in it.
It's the first Kaufman movie that feels chiefly a work of painstaking self-expression rather than some fiendishly clever experiment in anti-commercial commercial filmmaking.
Though the theme isn't new (Pirandello, Fellini), the fact that Kaufman forgot to give the protagonist any spark of personality whatsoever is rather cutting-edge. Yet exceedingly dull. How ironic.
Kaufman does all he can to throw in enough details to confuse the viewer, to the point of headache-inducing irritation.
It's an utterly brilliant film in that it evokes its intended feelings with apparent effortlessness -- not like a staged, contrived snapshot but like a wholly unique piece of art.
Charlie Kaufman's existential fantasia with the odd name is a weird, tiresome rumination on love, hate and the creative process. Fellini did it far better in '8 1/2' in 1963.
It's a strange trip, to be sure, but a worthwhile one for those willing to take it.
It's really quite brilliant. But it's also so difficult and so emotionally downbeat that it's hard to characterize it as "entertaining."
Brazen and witty and starkly serious...Synecdoche stands in relation to Kaufman's best previous screenplays in the same way that David Lynch's INLAND EMPIRE stood in relation to Mulholland Drive.
I found it bracing, and genuinely in touch with the sweet chaos and ache of life.
Synecdoche, New York is a huge film about puny sentiments, an anti-heroic epic of failure, remorse, alienation, and self-pity. It may not be the best film of the year, but it is very likely to be the most extraordinary.
A benchmark for this moment in time. To not recognize that is a bad mistake, and a terrible shame.
Kaufman's other works at least weaved a thread of hope within all their bends; here, the lack of it is glaring and sinks the viewer's spirit along with the film itself.
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