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Movies / On DVD / Synecdoche, New York
Synecdoche, New York

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Synecdoche, New York (2008)

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Reviews Counted:163

Fresh:109

Rotten:54

Average Rating:6.6/10

Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.

Rated: R [See Full Rating] for language and some sexual content/nudity.

Runtime: 2 hrs 4 mins

Genre: Comedies

Theatrical Release:Oct 24, 2008 Limited

Box Office: $2,971,177

Synopsis: Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His... Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.

Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.

However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.

The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics [More]

Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener

Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan

Director: Charlie Kaufman

Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics

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Release:

Mar 10, 2009

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  • From Charlie Kaufman, comes a visual and philosophic adventure, "SYNECDOCHE, NEW YORK". As he did with his groundbreaking scripts for "Being John Malkovich", "Adaptation", and "Eternal Sunshine of the Spotless Mind", Kaufman twists and subverts form and language as he delves into the mind of a man who, obsessed with his own mortality, sets out to construct a massive artistic enterprise that could give some meaning to his life. Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece, but the textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
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    Reviews for Synecdoche, New York

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    101 - 120 (sorted by date)
    Text View | |< << 1 2 3 4 5 6 7 8 9 >> >|
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    This is a film with the richness of great fiction.

    Full Review Source: Chicago Sun-Times | comment 1 Comment
    11/06/08
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    It's all crazy enough to work for a while, but the 124 long minutes don't pass soon enough.

    Full Review Source: Combustible Celluloid | comment 2 Comments
    10/31/08
    Jeffrey M. Anderson
    Jeffrey M. Anderson
    Combustible Celluloid

    Mr. Hoffman is emerging as one of our greatest actors, and he alone makes this film worth seeing.

    Full Review Source: New York Observer | comment Comment
    10/29/08
    Andrew Sarris
    Andrew Sarris
    New York Observer
    Top Critic Icon Top Critic

    Engagingly surreal, if utterly impenetrable drama from Charlie Kaufman that is challenging, maddening, laugh out loud funny and deeply moving, all at the same time.

    Full Review Source: ViewLondon | comment Comment
    10/29/08
    Matthew Turner
    Matthew Turner
    ViewLondon

    This film never sings, exactly, but it moves, and it does so bearing a great sadness.

    Full Review Source: Bryant Frazer's Deep Focus | comment Comment
    10/28/08
    Bryant Frazer
    Bryant Frazer
    Bryant Frazer's Deep Focus

    A great big incomprehensible phantasmagoria. I'm all for 'personal' movies, but this one's private.

    Full Review Source: Christian Science Monitor | comment Comment
    10/28/08
    Peter Rainer
    Peter Rainer
    Christian Science Monitor

    Kaufman's gift is finding humanity in flotsam, something he does well but hasn't done this beautifully since Eternal Sunshine of the Spotless Mind.

    Full Review Source: I.E. Weekly | comment 1 Comment
    10/28/08
    Amy Nicholson
    Amy Nicholson
    I.E. Weekly

    If you want to show a poor player that struts and frets his hour upon the stage, go right ahead, but give that hour all the life you can.

    Full Review Source: New Yorker | comment 1 Comment
    10/27/08
    Anthony Lane
    Anthony Lane
    New Yorker

    in this portrait of an artist as an old man in decline, no amount of reproduction, trickery or fantasy can or ever will suffice to deflect the inevitable end.

    Full Review Source: Eye for Film | comment Comment
    10/27/08
    Anton Bitel
    Anton Bitel
    Eye for Film

    Much like protagonists in previous Charlie Kaufman scripts, Caden is an artist in search of his art.

    Full Review Source: PopMatters | comment Comment
    10/27/08
    Cynthia Fuchs
    Cynthia Fuchs
    PopMatters

    Kaufman comes closer to creating a kind of cinematic magic realism than any American director has done in living memory. And it's only his first film.

    Full Review Source: PopMatters | comment Comment
    10/27/08
    Chris Barsanti
    Chris Barsanti
    PopMatters

    It's not so much that his film defies description as that none could adequately prepare you for the experience of watching it. Kaufman's existential musings are sometimes self-indulgent, but they are also heartfelt and wickedly funny.

    Full Review Source: San Francisco Examiner | comment Comment
    10/25/08
    Rossiter Drake
    Rossiter Drake
    San Francisco Examiner

    Whatever work it takes to unpack the film's levels upon levels of meaning, it's not worth it... Unremittingly grim, without any spark of life.

    Full Review Source: Antagony & Ecstasy | comment Comment
    10/24/08
    Tim Brayton
    Tim Brayton
    Antagony & Ecstasy

    With Synecdoche, New York, the scribe at last adds the job of director to his resume, finally giving us a glimpse of what a pure, unfiltered Charlie Kaufman film looks like. The result is truly something to behold.

    Full Review Source: Film Journal International | comment Comment
    10/24/08
    Ethan Alter
    Ethan Alter
    Film Journal International

    As with nearly all the films Kaufman wrote before this one ... Synecdoche, New York is one heck of a head-trip.

    Full Review Source: NPR | comment Comment
    10/24/08
    Bob Mondello
    Bob Mondello
    NPR
    Top Critic Icon Top Critic

    ...a picture that is (a) brilliant, in scattered parts, but also (b) a reminder that virtually every writer needs an editor.

    Full Review Source: MTV | comment Comment
    10/24/08
    Kurt Loder
    Kurt Loder
    MTV

    Evident passion and a tremendous amount of thought went into Synecdoche.

    Full Review Source: Los Angeles Daily News | comment Comment
    10/24/08
    Bob Strauss
    Bob Strauss
    Los Angeles Daily News

    [A] sprawling, awe-inspiring, heartbreaking, frustrating, hard-to-follow and achingly, achingly sad movie.

    Full Review Source: Los Angeles Times | comment Comment
    10/24/08
    Carina Chocano
    Carina Chocano
    Los Angeles Times
    Top Critic Icon Top Critic

    As is typical of Kaufman, whether this surrealist, time-skipping noodler is successful depends on what you want to see.

    Full Review Source: New York Daily News | comment Comment
    10/24/08
    Joe Neumaier
    Joe Neumaier
    New York Daily News

    It's the first movie this year that demands at least two viewings to absorb its densely textured humor, which makes earlier Kaufman works such as Adaptation and Being John Malkovich look positively straightforward.

    Full Review Source: New York Post | comment Comment
    10/24/08
    Lou Lumenick
    Lou Lumenick
    New York Post
    Top Critic Icon Top Critic
     
     
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