Synecdoche, New York strives to be a work of greatness. But Kaufman's overarching vision is a lot less interesting than the small insights he gathers along the way.
Synecdoche, New York (2008)
Tomatometer
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Reviews Counted:163
Fresh:109
Rotten:54
Average Rating:6.6/10
Consensus: Charlie Kaufman's ambitious directorial debut occasionally strains to connect, but ultimately provides fascinating insight into a writer's mind.
Rated: R [See Full Rating] for language and some sexual content/nudity.
Runtime: 2 hrs 4 mins
Genre: Comedies
Theatrical Release:Oct 24, 2008 Limited
Box Office: $2,971,177
Synopsis:
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His...
Theater director Caden Cotard (Philip Seymour Hoffman) is mounting a new play.
His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive (Sadie Goldstein) with her. His therapist, Madeleine Gravis (Hope Davis), is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one.
Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
However, as the city inside the warehouse grows, Caden's own life veers wildly off the tracks. Somewhere in Berlin, his daughter is growing up under the questionable guidance of Adele's friend, Maria (Jennifer Jason Leigh). His lingering attachments to both Adele and Hazel are causing him to helplessly drive his new marriage to actress Claire (Michelle Williams) into the ground. Sammy (Tom Noonan) and Tammy (Emily Watson), the actors hired to play Caden and Hazel, are making it difficult for the real Caden to revive his relationship with the real Hazel. The textured tangle of real and theatrical relationships blurs the line between the world of the play and that of Caden's own deteriorating reality.
The years rapidly fold into each other, and Caden buries himself deeper into his masterpiece. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems (Dianne Wiest), a celebrated theater actress who may offer Caden the break he needs.--© Sony Pictures Classics
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener
Starring: Philip Seymour Hoffman, Samantha Morton, Michelle Williams, Catherine Keener, Emily Watson, Dianne Wiest, Jennifer Jason Leigh, Hope Davis, Tom Noonan
Director: Charlie Kaufman
Director: Charlie Kaufman
Screenwriter: Charlie Kaufman
Producer: Anthony Bregman, Charlie Kaufman, Spike Jonze, Sidney Kimmel
Composer: Jon Brion
Studio: Sony Pictures Classics
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Release:
Mar 10, 2009
Reviews for Synecdoche, New York
The prospect of Kaufman's directorial debut was really exciting -- which makes the lugubrious result that much more disappointing.
sets out to encompass all of what makes us human but only finds room for what makes us unhappy.
A burning, smoking house that people mindlessly inhabit in Synecdoche, New York is an apt metaphor for what is wrong with this confounding, massively ambitious film.
When I say Charlie Kaufman should be put on suicide watch, I'm not being facetious.
A brilliant, gut-wrenching plunge into the painful work of facing the decisions we make and choosing to either continue onward, or live in regret.
Undeniably brilliant at times, Synecdoche, New York is also incredibly dense.
The most ambitious, challenging, frustrating and thrilling American movie since I'm Not There - maybe since Mulholland Drive.
To say that Charlie Kaufman's Synecdoche, New York is one of the best films of the year is such a pathetic response to its soaring ambition that I might as well pack it in right now.
Nearly a month after watching Charlie Kaufman's directorial debut... I'm still figuring out whether it was a brilliant idea poorly executed or a poor idea brilliantly executed.
It's an intricate piece to the puzzle of self-examination that began in Adaptation and continues into one of the most challenging, exasperating and beautiful works to hit theaters since probably Eternal Sunshine.
Some will call this art. I'll content myself with thinking of it as an ambitious misstep by a creative individual who failed to realize what he was trying to represent.
The screenwriter who comments upon the human condition through staged recreations, be it from John Malkovich's brain or the sets of "Eternal Sunshine," has delivered his most affecting work with this flawedmasterpiece.
Essentially multiplies Adaptation by an exponential factor and thus grows into a snarling, ungainly beast of self-reflexive absurdities.
The picture, just about as surreal as David Lynch on his quirkiest day, is at once staggering, baffling, morose, frightening, hilarious, continuously inventive, and unspeakably touching.
An intense and creative dramatization of the midlife crisis of a theater director whose fear of death and physical deterioration compels him into a mammoth project to give his life meaning.
Synecdoche is impeccably acted, inventively designed, sometimes laugh-out-loud funny, and often devastatingly sad.
You can't help but think this must be what it looks like when your life flashes before your eyes.
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