Tadpole would be a surprise hit with any audience anywhere that still cares about character development, good acting, careful, literate scriptwriting and stylish filmmaking on a shoestring.
Tadpole (2002)
Tomatometer
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Reviews Counted:104
Fresh:81
Rotten:23
Average Rating:6.7/10
Consensus: Slight, but good-natured and witty.
Rated: PG-13 [See Full Rating] for sexual content, mature thematic elements and language
Runtime: 77 mins
Genre: Dramas
Theatrical Release:Jul 19, 2002 Limited
Box Office: $2,882,062
Synopsis: Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for... Fifteen-year-old Chauncey Prep student Oscar Grubman (Aaron Stanford) feels that girls his own age haven't lived enough, which is why he's coming home to Manhattan's Upper East Side for Thanksgiving to profess his love to his stepmother, Eve (Sigourney Weaver)--whose marriage to his professor father (John Ritter) has become routine and uninspiring. Unable to find the right moment to express himself, Oscar slips out to a bar after dinner and finds himself drunk and missing his wallet. Walking home, he bumps into Eve's best friend, Diane (Bebe Neuwirth), a sexy chiropractor who offers to take him home to detox. A backrub leads to a kiss, which results in Oscar and Diane spending the night together. Oscar, feeling he has betrayed his true love, must now prevent Diane--who laughs at the whole situation--from telling Eve what has happened between them. TADPOLE's sophisticated script by Heather McGowan and Niels Mueller plays like Woody Allen minus the neuroticism, taking a potentially exploitative situation and handling it with with intelligence and great wit. Stanford (who was 23 at the time of filming) gives a restrained comic performance as the Voltaire-quoting youth, holding his own with veterans Weaver, Ritter, and Neuwirth--who practically holds the film together with her timing and sexuality. This scant (77 minutes), but charming production, shot on digital video, was a surprise hit at the 2002 Sundance Film Festival. [More]
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter
Starring: Sigourney Weaver, Aaron Stanford, Bebe Neuwirth, John Ritter, Robert Iler
Director: Gary Winick
Director: Gary Winick
Screenwriter: Heather McGowan, Niels Mueller
Producer: Dolly Hall, Alexis Alexanian, Gary Winick
Studio: Miramax Films
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Release:
Jan 21, 2003
Reviews for Tadpole
On this tricky topic, Tadpole is very much a step in the right direction, with its blend of frankness, civility and compassion.
Seems precious when it means to be precocious, and pretentious when it can least afford to be.
Stanford assumes the role of Oscar with rare conviction, and makes such a disconcertingly appealing 15-year-old that it's a relief to know he was actually 23 when he shot the movie.
Weaver and Neuwirth are the sparks in this film, as they project a maternal sexiness and sincerity that's entirely believable.
a sweet, gentle, so-light-it-might-float- away-any-moment comedy of urban manners
At times it's like an erudite version of a horny teen fantasy flick. But I am recommending Tadpole for its whimsical feel, its tart wit and the many fine performances, most notably from young Aaron Stanford.
More sophisticated and literate than such pictures usually are...an amusing little catch.
Tart 'n' spicy sophisticated comedy reminiscent of "The Graduate." Mischievous Bebe Neuwirth is a comic revelation.
A delightful comedy about a fifteen-year-old boy caught up in the delirious transports and crazy obsessions of romantic infatuation.
Tadpole is an irreverent and witty comedy in which the events aren't predictable but are well paced.
This often-hilarious farce manages to generate the belly laughs of lowbrow comedy without sacrificing its high-minded appeal.
A sparkling cosmopolitan comedy that plays fast and loose with sacred cows of family values.
smart, funny and just honest enough to provide the pleasures of a slightly naughty, just-above-average off- Broadway play.
Shot on digital video for $150,000 in only 14 days, director Gary Winick keeps it light -- but not stupid.
Celebrated at Sundance, this slight comedy of manners has winning performances and a glossy, glib charm that's hard to beat.
This breezy romantic trifle isn't nearly as clever as it imagines itself to be, but it's smart enough not to take itself too seriously.
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