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Take Care of My Cat (2001)
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Reviews Counted:27
Fresh:22
Rotten:5
Average Rating:6.8/10
Theatrical Release:Oct 18, 2002 Limited
Synopsis: Director Jeong Jae-eun's debut feature, TAKE CARE OF MY CAT, is a slick but sensitive portrayal of girlfriends on the cusp of adulthood. Hollywood films about recent high school grads tend to focus... Director Jeong Jae-eun's debut feature, TAKE CARE OF MY CAT, is a slick but sensitive portrayal of girlfriends on the cusp of adulthood. Hollywood films about recent high school grads tend to focus on sex, partying, and planning for college. These Korean girls have their share of fun, but they have critical life issues to deal with, and the film presents them in a painstakingly realistic way. The fashionable Hye-joo (Lee Yo-won) is focused on her career at a brokerage house. She's making a decent living, but her co-workers look down on her. Tae-hee (Bae Doo-na) is sick of living under the thumb of her domineering father. She spends her time doing volunteer work for a poet with cerebral palsy. Sullen Ji-young (Ok Ji-young) lives in poverty with her grandparents and struggles to find work. The girls, close friends in high school, find themselves drifting apart as their adult lives begin to take shape. Jeong gets flawless performances from her young cast, as her film shows how clashing values effect friendships as one grows older. Visually, she makes original use of onscreen text (and ubiquitous pagers and cell phones) to shrewdly emphasize the prevalence of technology in the girls' lives. [More]
Starring: Doo-na Bae, Yo-won Lee, Ji-young Ok, Eun-shil Lee
Starring: Doo-na Bae, Yo-won Lee, Ji-young Ok, Eun-shil Lee, Eun-joo Lee, Tae-kyung Uhm
Director: Jae-eun Jeong
Director: Jae-eun Jeong
Screenwriter: Jae-eun Jeong
Producer: Gi-min Oh
Composer: M&F
Studio: Kino International
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Reviews for Take Care of My Cat
Jeong's women often interact via cell phone messaging, and one of the film's primary themes arises in the way contemporary relationships exist through wireless communication.
A world in small, subtly acknowledging larger economic and cultural forces one moment, and in the next patiently observing the way a bowl of medicinal tea, seen turning in a microwave carousel, begins to describe its own slow epicycles.
Jeong sensitively gives her film an underlying sadness as the young women cope with the changes in their lives
Take Care is nicely performed by a quintet of actresses, but nonetheless it drags during its 112-minute length.
A refreshing Korean film about five female high school friends who face an uphill battle when they try to take their relationships into deeper waters.
The level of maturity displayed by this 33-year-old first-time feature director is astonishing, considering her inexperience and her subject matter.
Jeong's evocative visuals of the urban landscape and her savvy deployment of appliances only deepens the resemblance such stories have to our own lives.
Take Care of My Cat offers a refreshingly different slice of Asian cinema.
The year 2002 has conjured up more coming-of-age stories than seem possible, but Take Care of My Cat emerges as the very best of them.
Sluggishly paced but otherwise harmless drama about coming of age in South Korea.
The filmmakers' eye for detail and the high standards of performance convey a strong sense of the girls' environment.
Although laced with humor and a few fanciful touches, the film is a refreshingly serious look at young women.
Jae-eun Jeong's Take Care of My Cat brings a beguiling freshness to a coming-of-age story with such a buoyant, expressive flow of images that it emerges as another key contribution to the flowering of the South Korean cinema.
The film engages with the divergent paths taken, linked by childhood friendship and a mewling kitten, but a third act event is presented so abruptly it confuses the viewer until it rebounds somewhat with a satisfying closure.
In this vivid, emotionally complex ensemble piece, Korean writer-director Jeong Jae-eun portrays this extraordinary turning point in every woman's life.
The problems and characters it reveals are universal and involving, and the film itself -- as well its delightful cast -- is so breezy, pretty and gifted, it really won my heart.
Evokes a palpable sense of disconnection, made all the more poignant by the incessant use of cell phones.
A captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless age.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
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| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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