This may be the least ambitious of Lee's films, but his directorial chops still guarantee a worthwhile experience.
Taking Woodstock (2009)
Tomatometer
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Reviews Counted:165
Fresh:81
Rotten:84
Average Rating:5.5/10
Consensus: Featuring numerous 60s-era clichés, but little of the musical magic that highlighted the famous festival, Taking Woodstock is a breezy but underwhelming portrayal.
Rated: R [See Full Rating] for graphic nudity, some sexual content, drug use and language.
Runtime: 1 hr 50 mins
Genre: Comedies
Theatrical Release:Aug 28, 2009 Wide
Box Office: $7,366,736
Synopsis:
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true...
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true story of Elliot Tiber (Demetri Martin) and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was.
It's 1969, and Elliot Tiber, a down-on-his-luck interior designer in Greenwich Village, New York, has to move back upstate to help his parents run their dilapidated Catskills motel, The El Monaco. The bank's about to foreclose; his father wants to burn the place down, but hasn't paid the insurance; and Elliot is still figuring how to come out to his parents.
When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers, thinking he could drum up some much-needed business for the motel. Three weeks later, half a million people are on their way to his neighbor's farm in White Lake, NY, and Elliot finds himself swept up in a generation-defining experience that would change his life, and American culture, forever. --© Focus Features
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton, Eugene Levy, Dan Fogler, Jeffrey Dean Morgan
Director: Ang Lee
Director: Ang Lee
Screenwriter: James Schamus
Producer: James Schamus, Ang Lee, Celia Costas
Composer: Danny Elfman
Studio: Focus Features
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Reviews for Taking Woodstock
saddled with side stories that are meant to put specific faces on the issues of the time, but feel meandering and unfocused
The most expertly crafted, yet mostly uninvolving, historical music movie.
...it's hard to get past the idea of Taking Woodstock as a missed opportunity. It's fine around the edges, but it never convinces you that the central event was the cataclysmic cultural convergence some claim.
On balance Taking Woodstock--like Teichberg--takes after its immigrant American father, evincing a quiet humility in offering its rambling 'little perspective' of an emblematic happening that was almost everything it was cracked up to be.
In a field crowded with sharp, aggressive, edgy comedies it's much more gentle, rounded and endearing. Yet it's not altogether warm and fuzzy - there's plenty of bite here and wry insight, too.
A gentle, slow-paced coming-of-age movie, 'Taking Woodstock' is not a movie about the historic concert that observes its 40th anniversary this year.
Lee's Taking Woodstock serves up so many clichés and stereotypes that it feels like a film made by someone who had never met a real Jew, Vietnam vet, homosexual, or hippie
Woodstock participants wallowed in Yasgar's muddy fields. [Director Ang]Lee wallows in Teichberg's muddy %u2014 and uninteresting %u2014 experience.
Uses the Peace & Love event as white-noise for another flaccid coming-of-age story about an unformed youth's Summer I Grew Up
Ang Lee's companionable 'Taking Woodstock' is thick with sun and good cheer.
I loved this sweet, gentle film, and prize its charms and heart far more than the debatable weightiness of Lee's Lust, Caution.
The first half of "Taking Woodstock" is wonderful. Unfortunately, the tone becomes more serious and the pacing meanders in the second half.
The more tightly Taking Woodstock focuses on history, the more satisfying the experience.
How's this for an idea - a movie about Woodstock that ignores the music of the Festival and concentrates on one boring guy's ability to set it all up.
Effectively employs iconic Woodstock imagery not to generate a numbing sense of mass nostalgia about the historic concert but rather as a minimalist backdrop against which to amplify the anguished, intimate ordeal of a frustrated individual who wasn't eve
Just rent ADVENTURELAND (a better coming-of-age movie) and the WOODSTOCK documentary (a better depiction of the festival) instead of wasting your time on this.
If you want to experience the concert you can watch the 1970 Woodstock movie. This one is about what it all meant.
It's a small story about Woodstock. I didn't think that was possible. Lee's got the look down, but the story doesn't totally captivate, and the music is almost not present.
Taking Woodstock is homogenized mud. Director Ang Lee slides all over the place. He takes away all the sharp edges; what is left is pretty much a mess.
Latest News for Taking Woodstock
November 13, 2009:
James Schamus talks Taking Woodstock - RT Interview
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