A more accurate and representative title might have been "Remaking Woodstock" because that's clearly what Lee set out to do.
Taking Woodstock (2009)
Tomatometer
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Reviews Counted:166
Fresh:81
Rotten:85
Average Rating:5.5/10
Consensus: Featuring numerous 60s-era clichés, but little of the musical magic that highlighted the famous festival, Taking Woodstock is a breezy but underwhelming portrayal.
Rated: R [See Full Rating] for graphic nudity, some sexual content, drug use and language.
Runtime: 1 hr 50 mins
Genre: Comedies
Theatrical Release:Aug 28, 2009 Wide
Box Office: $7,366,736
Synopsis:
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true...
A generation began in his backyard. From Academy Award-winning director Ang Lee (Brokeback Mountain, Crouching Tiger, Hidden Dragon), comes Taking Woodstock, a new comedy inspired by the true story of Elliot Tiber (Demetri Martin) and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was.
It's 1969, and Elliot Tiber, a down-on-his-luck interior designer in Greenwich Village, New York, has to move back upstate to help his parents run their dilapidated Catskills motel, The El Monaco. The bank's about to foreclose; his father wants to burn the place down, but hasn't paid the insurance; and Elliot is still figuring how to come out to his parents.
When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers, thinking he could drum up some much-needed business for the motel. Three weeks later, half a million people are on their way to his neighbor's farm in White Lake, NY, and Elliot finds himself swept up in a generation-defining experience that would change his life, and American culture, forever. --© Focus Features
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton
Starring: Demetri Martin, Emile Hirsch, Liev Schreiber, Imelda Staunton, Eugene Levy, Dan Fogler, Jeffrey Dean Morgan
Director: Ang Lee
Director: Ang Lee
Screenwriter: James Schamus
Producer: James Schamus, Ang Lee, Celia Costas
Composer: Danny Elfman
Studio: Focus Features
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Reviews for Taking Woodstock
This is surely the calmest and warmest portrait of chaos I've seen on screen...
Captures a lost innocence -- but the toneless monosyllables and "very cool's" and "groovy's" grow quickly vapid or spacey.
Even as a mind-clearing break from Lee's darker, more ambitious work, Taking Woodstock is an underachieving movie, so slight and gentle-spirited that it seems to be looking at the summer of 1969 through a scrim of rosy gauze.
Ang Lee’s 11th collaboration with producer James Schamus starts out strong and funny before getting mired in 60s nostalgia.
Watching the film feels a lot like leafing through an album of someone else's vacation photos: Pleasant, but gets old fast.
The scruffiness is hardly accidental, but it gives the picture a gentle warmth and easy charm that make it as pleasant, if as passing, as a warm summer breeze.
[It] takes advantage of yet another anniversary celebration of the three-day music festival, but Lee only uses the milestone for surface draw. Otherwise, this aimless, pointless, emotionless and self-aggrandizing debacle would have no reason to exist.
Like its central character, Woodstock never makes it to the big show. But the lesson seems to be that it's not the destination that matters, it's the trip.
Like the mild-mannered protagonist, Taiwanese director Ang Lee sees the '60s through a rose-colored telephoto lens, but his sympathetic spirit extends the generous message of the hippie era like a passed joint.
Taking Woodstock has the freshness of something being created, not remembered.
The hippie mindset is that either you're with them or you're not, and similarly Taking Woodstock asks that you ride along its loose, laid-back vibe or start flinging mud.
A distraction that steals Lee's concentration, leaving the film in the same condition as the real Woodstock: muddy, scattered, and overlong.
It's not a bad film but I have a feeling that it's too chaotic. It lacks somehow some central gravitas, despite the comedic elements, to bring it all together.
Taking Woodstock takes us behind the scenes at that amazing event, and deals with ordinary people swept up in it. Don’t expect concert scenes, because there are none.
It does at least come across as a portrait of an era that's affectionate, authentic and pleasingly adult in its tone and concerns.
Lee and his producer and screenwriter, James Schamus, have turned Tiber’s book into a gentle, rather tepid film. Its first half is modest and likable, but it goes on for over two hours.
Really, it’s the same circumstance captured in Bye Bye Birdie, but Lee and Schamus lack a sense of humor.
All the tie-dye, reefer, skinny-dipping, split-screen cinematography (from Eric Gautier) and acid-trip psychedelics courtesy of Tiber's encounter with hippies (Paul Dano and Kelli Garner) can't make up for the film's major sin of omission: the music.
Latest News for Taking Woodstock
November 13, 2009:
James Schamus talks Taking Woodstock - RT Interview
James Schamus might be a workaholic. If it's not enough that he's the head of Focus Features -- the independent imprint of Universal -- he's also an established producer and... More...
November 12, 2009:
Five Favourite Films with Ang Lee
The rule that no two Ang Lee movies are ever the same is confidently kept intact with the release of his latest, Taking Woodstock, a comedy about the true story behind the... More...
August 27, 2009:
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August 27, 2009:
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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