Not to be a pure cynic, but I highly advise people who have viewed "Sixth Sense" not to go, trust me there are better things you can do with your time.
Film opens in Mumbai at night, a car at limitless speed plunges into ocean. Mumbai police-officer Amir Khan arrives at the scene and launches investigations. Amir has just moved in to Mumbai with his wife (Rani Mukherjee), he is suffering from insomnia, after tragic death of his little son, which he blames upon himself, careless enough to have let it happen. He stays or better to say finds opportunities to spend nights outside at work, to evade suffering of his son's death. Amir meets a call-girl (Kareena Kapoor) from red-light area, who was seen in a hotel surveillance-video with her client; who died in a car-accident, in the beginning of the film. Rani, is approached by neighboring lady who claims to have been talking to her dead son; when desperate mother, tells this to her husband (Amir), he rebukes her and insults the lady. Slowly, murder-case is progressing to solving - and the climax has too much twist and surprises.
Let me tell you first, that I do not watch Indian movies because of frequent plagiarism and stealing of others works (except classic movies of legendary actor Amitabh Bachchan and current actors Amir Khan and Shahrukh Khan - who rose to their stardom with early critical work). Anyways, 'Talaash' is a film that I watched longtime since it was released. What actually made me to enjoy it, are mystery/crime/twist/music-score and filming at night, boost noir-touch in it. I truly loved the climax that ends with similar opening-scene - this time, Amir inside the car, same location and same circumstances surrounding the accident.
Will he survive the accident? Who is red-light area call-girl? Why does she meet him when he is alone? Is the neighboring lady, an opportunist to deceive Rani about seeing her dead son? Will the murder-case of prominent celebrity be solved? Is Amir going to live rest of his life with grief about his son?
Aamir is in search of offloading his self imposed personal guilt, Rani is searching for lost emotional connection and Kareena is looking for justice. All three are in constant state of ache and despair and this has been beautifully portrayed. An extra point goes to Kareena for looking surreal in the film. Alongside, an extra point goes to Reema, for aptly showing two parallel but different journeys of Aamir without any overlap or confusion.
This may be Reema's second directorial venture, but she is all set to carve a niche of her own. As Karan Johar is a pro in portraying various shades and intermittance of friendship and love, this lady is a master craftswoman with different interpersonal relationships. Various type of connections exist between two souls and she can understand and direct them very well. Also there is fine detailing in production design. Reema has kept the film as close to reality as possible. There are no item numbers or star specific make-up.
Though the plot is new for the Indian screen, but Kareena's character is very much inspired from a Hollywood movie.
Hats off to Aaamir for constantly spinning out 'different' movies one after another. This is one star who keeps you guessing, even after 24 years!
The first half of Talaash was excellent. It was gripping and had all the elements for the perfect second half. A good suspense was created in the first half by leaving things incomplete. But I think the lame second half ruined it all. The movie could've been excellent.
I would give a 4/5 for the first half and 2/5 for the second half. I still thought there would be some twist in the end that would put a full stop to the 'ghost' story. But nothing like that happened.
I was really furious by the end of the movie and I still couldn't believe Aamir Khan actually agreed to do this movie.
Aamir Khan's acting - 10/10. Rani - natural acting. Kareena was okay! Nawazuddin Siddiqui - you rock!!!