A drama of great power, yet some members of the audience will leave the theater believing they have seen a comedy.
Talk to Her (2002)
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Reviews Counted:128
Fresh:118
Rotten:10
Average Rating:8.1/10
Consensus: Another masterful, compassionate work from Pedro Almodovar.
Rated: R [See Full Rating] for nudity, sexual content and some language
Runtime: 1 hr 54 mins
Genre: Foreign Films
Theatrical Release:Nov 22, 2002 Limited
Box Office: $9,031,416
Synopsis: The curtain before the stage, decorated with salmon colored roses and golden tassels, opens to present a Pina Bausch dance spectacle, "Café Müller". Among the spectators, two men are sitting... The curtain before the stage, decorated with salmon colored roses and golden tassels, opens to present a Pina Bausch dance spectacle, "Café Müller". Among the spectators, two men are sitting together by chance, they don't know each other. They are Benigno, a young nurse, and Marco, a forty-something writer. On the stage, filled with wooden chairs and tables, two women, their eyes closed and their arms stretched, are moving to the compasses of "The Fairy Queen" by Henry Purcell. The piece provokes such emotion that Marco breaks into tears. Benigno notices the shining tears of his casual companion in the darkness of the theatre's audience. He would like to tell him that he too is moved by the performance, but he doesn't dare. Months later, the two men meet again at "El Bosque", a private clinic where Benigno works. Lydia, Marco's girlfriend, a bullfighter by profession, has been gored by a bull and has fallen into a coma. Benigno in fact is in charge of another woman in a coma, Alicia, a young ballet student. When Marco passes by Alicia's room, Benigno approaches him. It is the beginning of an intense friendship, as linear as a roller coaster. During the time suspended within the walls of the clinic, the life of these four characters flows in all directions, past, present and future, leading all of them to an unexpected destiny. TALK TO HER is a story about the friendship of two men, about loneliness and the long convalescence of the wounds provoked by passion. It is also a film about incommunication among couples, and about communication. About film as a subject of conversation. About how monologues before a silent person can become an effective form of dialogue. About silence as "eloquence of the body", about film as an ideal vehicle/language in relationships between people, about how a film told in words can stop time and install itself in the lives of those who tell it and those who hear it. TALK TO HER is a film about the joy of narration and about the word as a weapon against solitude, disease, death and madness. It is also a film about madness, about a type of madness so close to tenderness and common sense that it does not diverge from normality. -- © Sony Pictures Classics [More]
Starring: Javier Camara, Dario Grandinetti, Leonor Watling, Rosario Flores
Starring: Javier Camara, Dario Grandinetti, Leonor Watling, Rosario Flores, Geraldine Chaplin, Mariola Fuentes, Lola Dueńas, Caetano Veloso
Director: Pedro Almodóvar
Director: Pedro Almodóvar
Screenwriter: Pedro Almodóvar
Producer: Agustin Almodovar
Composer: Alberto Iglesias
Studio: Sony Pictures Classics
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Reviews for Talk to Her
Open-ended and composed of layer upon layer, Talk to Her is a cinephile's feast, an invitation to countless interpretations.
When it's over, the realization of how much the movie means to you really sinks in; you can't get it out of your heart.
Almodovar is an imaginative teacher of emotional intelligence in this engaging film about two men who discover what William James once called 'the gift of tears.'
Almodóvar’s delectable choice of music, the roving camera, and his eye for detail give the movie a supremely graceful feel.
There are lots of odd sequences that add texture (abstract ballet sequences, an extended silent movie scene that goes very surreal), and so much going on beneath the surface that you can hardly take it all in.
Almodovar suggests the need for spiritual invention regardless of the nature of one's crippledom.
No es que peque de purista o que insista en que las cintas deben tratar de algo, pero la profundidad es una cosa, y el tratar de cubrir cosas de más es otra...
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