Centering on De Niro, the Michael and Julia Phillips production mixes politics, prostitution and philosophy as a complex man attempts to combat the corruption he can no longer tolerate.
Taxi Driver (1976)
Tomatometer
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Reviews Counted:50
Fresh:49
Rotten:1
Average Rating:8.7/10
Consensus: A must-see film for movie lovers, this Martin Scorsese masterpiece is as hard-hitting as it is compelling, with Robert De Niro at his best.
Runtime: 2 hrs 10 mins
Genre: Dramas
Synopsis: Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against... Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against the pitiable denizens inhabiting the city's underbelly. For psychotic, pistol-packing Vietnam vet Travis Bickle (Robert De Niro), New York City seems like a circle of hell. Driving his cab each night through the bleak Manhattan streets, Bickle observes with fanatical loathing the sleazy lowlifes who comprise most of his fares. By day he haunts the porno theaters of 42nd Street, taking his cues from the violent vision of life portrayed in these movies. As badly as Travis wants to connect with the people around him--including Betsy (Cybill Shepherd), a lovely blonde campaign worker, and Iris (Jodie Foster), a prepubescent prostitute he tries to save--his attempts are thwarted and his pent-up rage grows, turning him into a Mohawk-wearing walking time bomb. Scorcese fills Paul Schrader's screenplay with a tragic realism, brilliantly capturing the muck and grime of New York City. De Niro, playing the fragile hero, steps so deep inside his role that the results are deeply frightening. Bernard Herrmann's haunting score--which turned out to be his last--completes the urban nightmare. [More]
Starring: Robert DeNiro, Cybill Shepherd, Jodie Foster, Peter Boyle
Starring: Robert DeNiro, Cybill Shepherd, Jodie Foster, Peter Boyle, Diahnne Abbott, Victor Argo, Albert Brooks, Harvey Keitel, Peter Savage, Ralph S. Singleton, Charles Scorsese
Director: Martin Scorsese
Director: Martin Scorsese
Screenwriter: Paul Schrader
Producer: Julia Phillips, Michael Phillips
Composer: Bernard Herrmann
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Reviews for Taxi Driver
The blend of Schrader's script, Scorsese's direction and De Niro's performance is both riveting and unnerving. A film that will stay with you forever.
An undeniably brilliant, nightmarish portrait of one man's personal hell.
It's a powerful film and a terrific showcase for the versatility of star Robert De Niro
New York may have changed, but Taxi Driver is as powerful and painful as ever.
In a brilliant touch, Scorsese uses Bickle's voice-over narration, his continual talking to himself, as a symptom of emotional isolation and mental deterioration rather than for the usual exposition of or commentary on a story.
For film buffs and those wondering what all the fuss is about, Taxi Driver remains a singular experience.
Its themes of urban decay, anomie and violence which infuse the impending sense of doom at the heart of this film still hang like black clouds over many cities today.
Since the mid-1970s, the movie has become presciently emblematic of our emotionally diseased, violence-prone culture.
But despite anything, [the] average viewer at the end actually cheers for Travis.
A compelling and unsettling film exploring many of the fears, aches and dislocations of contemporary urban life
A movie to educate us about life on darker sides of the soul, or steer us away from living that life. It draws us in with a conviction that makes us feel like we're living it.
A masterful psychological study, the depth of which can only fully be appreciated on repeat viewings.
created of scenes that slowly build in tension, until they literally explode in a final bloody climax
Director Martin Scorsese's nightmare vision of Manhattan is important, impulsive work.
Acclaimed for its gritty realism, but it has an equal amount of cinematic reverie.
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