Acclaimed for its gritty realism, but it has an equal amount of cinematic reverie.
Taxi Driver (1976)
Tomatometer
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Reviews Counted:49
Fresh:48
Rotten:1
Average Rating:8.7/10
Consensus: A must-see film for movie lovers, this Martin Scorsese masterpiece is as hard-hitting as it is compelling, with Robert De Niro at his best.
Runtime: 2 hrs 10 mins
Genre: Dramas
Synopsis: Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against... Martin Scorsese's intense film, a hallmark of 1970s filmmaking, graphically depicts the tragic consequences of urban alienation when a New York City taxi driver goes on a murderous rampage against the pitiable denizens inhabiting the city's underbelly. For psychotic, pistol-packing Vietnam vet Travis Bickle (Robert De Niro), New York City seems like a circle of hell. Driving his cab each night through the bleak Manhattan streets, Bickle observes with fanatical loathing the sleazy lowlifes who comprise most of his fares. By day he haunts the porno theaters of 42nd Street, taking his cues from the violent vision of life portrayed in these movies. As badly as Travis wants to connect with the people around him--including Betsy (Cybill Shepherd), a lovely blonde campaign worker, and Iris (Jodie Foster), a prepubescent prostitute he tries to save--his attempts are thwarted and his pent-up rage grows, turning him into a Mohawk-wearing walking time bomb. Scorcese fills Paul Schrader's screenplay with a tragic realism, brilliantly capturing the muck and grime of New York City. De Niro, playing the fragile hero, steps so deep inside his role that the results are deeply frightening. Bernard Herrmann's haunting score--which turned out to be his last--completes the urban nightmare. [More]
Starring: Robert DeNiro, Cybill Shepherd, Jodie Foster, Peter Boyle
Starring: Robert DeNiro, Cybill Shepherd, Jodie Foster, Peter Boyle, Diahnne Abbott, Victor Argo, Albert Brooks, Harvey Keitel, Peter Savage, Ralph S. Singleton, Charles Scorsese
Director: Martin Scorsese
Director: Martin Scorsese
Screenwriter: Paul Schrader
Producer: Julia Phillips, Michael Phillips
Composer: Bernard Herrmann
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Reviews for Taxi Driver
But despite anything, [the] average viewer at the end actually cheers for Travis.
Martin Scorsese's history-making scald is truly a phenomenon from another day and age. Which is to say, imagine a like-minded film of this decade killing at the box office and getting nommed for Best Picture.
Its brilliant performances and haunting final Bernard Herrmann score assist in making this classic about as perfect as a movie can be.
A masterful psychological study, the depth of which can only fully be appreciated on repeat viewings.
What a mad and brilliant film it is: 1,000-degree proof Seventies cinema.
A compelling and unsettling film exploring many of the fears, aches and dislocations of contemporary urban life
You may want to argue with Taxi Driver at the end, and with good reason, but it won't be a waste of time.
Is Travis a hero or a monster? The question is never answered to any satisfying degree, and Herrmann's score makes sure of that by always playing up the counterpoint of a scene.
A grimy film that perfectly reflects its grimy subject matter. Travis Bickle [is] one of film's most complex characters. When you talk about super heroes, he truly is one minus the tights and powers.
Get in and take a nightmare ride on perhaps Scorsese's best picture, the story of Vietnam vet Travis Bickle's fight to win the woman of his dreams in the seedy Big Apple.
Taxi Driver (1976) is director Martin Scorsese's and screenwriter Paul Schrader's gritty, disturbing, nightmarish modern film classic that examines alienation
It is a brilliant, bloody movie with a haunting portrayal of urban life, and is arguably one of the top 10 movies ever made.
Martin Scorsese's masterly Taxi Driver both encapsulates and transcends its times.
For film buffs and those wondering what all the fuss is about, Taxi Driver remains a singular experience.
Its themes of urban decay, anomie and violence which infuse the impending sense of doom at the heart of this film still hang like black clouds over many cities today.
The symbolism used by Scorsese, the extremely effective acting by Robert DeNiro, and the superb writing by Paul Schrader, turn this movie into a cinematic adventure of many layers.
The thing I'm never sure about is whether Travis is actually psychotic, and Paul Schrader's script, Scorsese's direction, and De Niro's performance don't give us any easy answers.
created of scenes that slowly build in tension, until they literally explode in a final bloody climax
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