So much of American popular culture, and modern Cinema's urban aesthetic, owes a debt to Martin Scorsese's groundbreaking fourth feature film that it is impossible to imagine a world without "Taxi Driver."
Writer Paul Schrader and director Martin Scorsese made names for themselves with this exquisitely crafted window into the contemporary male psyche. Taxi Driver seems aimless, taking as many u-turns and detours as a cabby does in the night. But it's
[Scorsese] seems to need scripts with well-designed humor and performers with the spirit of Ellen Burstyn to compensate for what seems to be a fundamentally depressed view of life and the belief that sobriety is the equivalent of seriousness.