A delirious fever dream of pulp-western conventions by way of 1950s Hollywood melodrama.
Tears of the Black Tiger (2000)
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Reviews Counted:59
Fresh:45
Rotten:14
Average Rating:6.6/10
Consensus: With a vibrant pastel color scheme and stylized action sequences, Tears of the Black Tiger is a bizarre, yet thoroughly entertaining Thai western.
Theatrical Release:Jan 12, 2007 Limited
Synopsis: TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai... TEARS OF THE BLACK TIGER takes a journey back to a lost past – the heroic years of Thai genre cinema, when influences from Hollywood and everywhere else were subsumed into rollicking Thai melodramas for an audience of avid fans. Sasanatieng's film is a brilliant pastiche of vanished themes, styles and characters, almost all of them easily recognizable as variants on the prototypes from other popular cinemas. But the film's project is not simply nostalgic. Sasanatieng uses the tricks and tropes of film style from the 1960's- iris shots, wipes, obvious back-projection – but combines them with a startling, modernist approach to color and storytelling. The result is not only unique in Thai cinema but also an entirely new way of looking at genre entertainment. TEARS OF THE BLACK TIGER offers nostalgia as future shock. When Dum, a young peasant boy, falls in love with Rumpoey, the daughter of a wealthy family, they vow that, whatever happens, they will one day be together. When they meet again ten years later, their rekindled passion is thwarted by the murder of Dum's father by outlaws and by Rumpoey's betrothal to a smooth-talking police captain. Dum soon transforms himself into the gunslinging bandit, "Black Tiger," in order to infiltrate the gang who murdered his father. Fate will reunite the lovers one more time, but will they be able to continue their romance? Or will tragedy strike again? --© Magnolia Pictures [More]
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth
Starring: Chartchai Ngamsan, Stella Malucchi, Suppakorn Kitsuwan, Arawat Ruangvuth, Sombati Medhanee, Suwinit Panjamawat
Director: Wisit Sasanatieng
Director: Wisit Sasanatieng
Producer: Nonzee Nimibutr
Composer: Amornbhong Methakunavudh
Studio: Magnolia Pictures
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Reviews for Tears of the Black Tiger
There may be crazier movies than this Thai cowboy melodrama of betrayal and forbidden love, but I can't think of one that is quite so mad about its own craziness.
It is nice just to sit back and let the day-glo colours wash over you, marvelling at the high-spirited energy.
Inspires the same happy, incredulous feeling as when Jackie Chan first bent the laws of nature or Chow Yun-Fat introduced the two-gun two-step.
...more dazzling and more fun than anything else that's opened in this rapidly aging year.
Tears of the Black Tiger is like a fever dream dripping with overripe romantic melodrama. Imagine Douglas Sirk directing a spaghetti western.
Black Tiger is dreamy-eyed nostalgia with all the tacky dubbing, ridiculous outfits, and blown-out violence that affords it.
What the story lacks in snap, it makes up for in sincerity. [The film's] melodrama is so poker-faced and its gore so explicit (if phony-looking) that it's hard to tell whether you're dealing with the Thai Todd Haynes or the Thai Sam Peckinpah.
By turns silly and overwrought, the film is too good-natured to dislike, but too flimsy to take seriously.
It’s no buried postmodern masterpiece, but it certainly is a jaw-dropper: a delirium-inducing crash course in international trash.
Camp out with Tears, a hoot, and your tent will be wet only from tears of laughter.
Tears of the Black Tiger is at the same time serious parody and loving tribute, the sincerest flattery.
Has lots of pop energy and an admirable poker-face when it comes to its Douglas Sirk-ian storyline. And even though it's essentially a Frankenstein's monster stitched together from a zillion other movies, you really haven't seen anything like it.
Director Wisit Sasanatieng uses every trick imaginable to create surreal postmodern nostalgia. Has he wound up with pure camp, or a cult classic? As he clearly understands, the best B-movies are both.
Wisit's amazing film goes so far beyond kitsch that it enters Powell and Pressburger territory.
Gives you some idea of what would happen if Ang Lee and John Woo were asked to make a cartoon together.
The cotton-candy colors threaten a diabetic attack but thereare good action sequences and good-natured performances.
A deliberately laboured plot is offset by some fascinating action sequences.
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